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Saturday, June 14, 2025 |
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New exhibition at the Arkansas Museum of Fine Arts highlights conservation |
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John James Audubon (Les Cayes, Haiti, 1785 - 1851, New York, New York), Printed by John T. Brown (England, 1801 - 1856, Philadelphia, Pennsylvania), American Bison from The Viviparous Quadrupeds of North America, 1845 - 1848, hand-colored lithograph on paper, 35 1.4 x 39 1/2 in. On loan from the Bank of America Collection.
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LITTLE ROCK, ARK.- The Arkansas Museum of Fine Arts (AMFA) announces The Long View: From Conservation to Sustainability: Works from the Bank of America Collection, a new exhibition presented by Bank of America on view from June 13 to August 31, 2025, in the Harriet and Warren Stephens Galleries. Admission is always free at AMFA, including all exhibitions.
The Long View features photographs, paintings, prints, and sculptures by artists who use their art to advocate for the conservation and protection of the planet. Spanning from the mid-nineteenth century to the present, the work in the exhibition charts the evolution of how modern society thinks about and interacts with nature.
The Arkansas Museum of Fine Arts has been a mainstay of Arkansass cultural landscape for decades, and we are thrilled to share this unique exhibit from our collection with AMFA and its guests, says Heather Jones, President of Bank of America Arkansas.
AMFA and Bank of America believe in the importance of making the arts more accessible in our communities. The Long View is made available through the Bank of America Art in our Communities® program, which loans fully curated exhibitions from the Bank of America collection to museums and nonprofit galleries around the world.
Our partnership with Bank of America for The Long View is a natural extension of the Museums existing relationship, states Dr. Victoria Ramirez, AMFAs Executive Director. We are proud to be longtime beneficiaries of their support and look forward to seeing our guests response to this exciting new exhibition.
Organized into four thematic sections, The Long View explores The Beginnings of Conservation, with late nineteenth and early twentieth-century artists like John James Audubon and Carleton Watkins, whose revelatory works influenced the founding of the Audubon Society and the National Park Service, respectively.
Moving into the early twentieth century, Push and PullIndustry and Environment includes art by Regionalist artists Thomas Hart Benton and Grant Wood alongside Arthur Rothstein's iconic Dust Bowl images exploring the impact of unsustainable farming practices.
The Emergence of Conservation Activism focuses on postwar works and the emerging social and political focus on ecology during the late 1960s and 1970s. This section includes Robert Rauschenbergs design for the first Earth Day celebration in 1970, and Michael Heizers innovative prints using plates made from recycled scrap metal waste.
Finally, Working Towards a Sustainable Vision highlights contemporary artists Aurora Robson and John Sabraw, who repurpose pollutants such as plastic debris and acid mine drainage from the landscape as their materials, alongside other artists who emphasize the need to safeguard our planet in the face of its radical and continuing transformation.
This dynamic exhibition brings together art from varied time periods, places, and media by beloved artists and fresh emerging talents. Their combined voices in The Long View provide an innovative look at the interaction between humans and the natural environment over time, revealing the wonders of our landscape and inviting each of us to contribute to the conservation of our shared home.
In blending the contemporary with the historical, this exhibition opens new dialogues by prompting us to examine what has changed and what has stayed the same, shares AMFA Curator Jennifer Jankauskas. These artists, both individually and as a group, have created a road map for how we should look at the environment and what we can do to continue to conserve it.
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