DUBLIN.- The Douglas Hyde is presenting To Whom It May Concern, the first solo exhibition in Ireland by artist Mohammed Sami, bringing together a group of major new canvases, alongside a selection of paintings made over the last five years.
🚀
See What Everyone's Reading! Explore Amazon's current bestsellers and find your next great read.
Mohammed Sami is a painter. Working directly onto canvas with brushes, pallet knives and spray paint, Sami creates textures, surfaces and details building the composition as a whole. Mining personal experiences to ground his work and influenced by Arabic literature and poetry, Sami replaces images of trauma with oblique references to loss or conflict. Although absent of the human form, the settings, everyday objects, and shadows in his paintings convey traces of human presence. He uses medium, scale, and title, each cultivating the other to create charged and haunting works.
💖
Keep ArtDaily thriving! Your generous gift makes a difference. Support us through PayPal or become a patron on Patreon.
Absence is at the heart of this work, from an empty throne to a meeting table with chairs pulled out in expectation or in the aftermath of an event. Indeed, the title of the exhibition makes an address but to whom? In these absences or acts of invisibility sense memories come forth, not the memory of the thing but the effect of those memories. As Sami has said, My paintings seek to capture the state of confusion that occurs because of the cut thread between reality and the imagination; between war narrated and war witnessed. In the tension between the remembering and the forgetting, in the ambiguity of this, through light, shadow, and the banal, Sami creates a space for feeling to emerge.
Mohammed Sami was born in Baghdad in 1984, and lives and works in London. Having completed studies at the Institute of Fine Arts, Baghdad, he emigrated to Sweden in 2007. Sami graduated from Belfast School of Art in 2015, and earned an MFA at Goldsmiths College, London, in 2018. Forthcoming and recent solo exhibitions include: KM21, The Hague (2025); Blenheim Palace, Woodstock; Fondazione Sandretto re Rebaudengo (both 2024), Camden Art Centre, London; De La Warr Pavilion, Bexhill-on-Sea (both 2023); and Modern Art, London (2022). He has participated in group exhibitions at the Carnegie Museum of Art, Pittsburgh (2022); Aichi Prefectural Museum of Art (2022); the Whitechapel Gallery, London (2022); the Hayward Gallery, London (2021).
His paintings are held by the Albright-Knox Museum, Buffalo; Arts Council Collection, London; the Government Art Collection, London; SF MoMA, San Francisco; ICA Miami; MAMCO; Geneva; MoMA, New York; The Carnegie Institute of Art, Pittsburgh; the Imperial War Museum, London; LACMA, Los Angeles; Moderna Museet, Stockholm; Tate, London; and York Art Gallery.
Artdaily participates in the Amazon Associates Program, an affiliate advertising program designed to provide a means for us to earn commissions by linking to Amazon.com and affiliated sites. When you purchase through our links, we may earn a small commission at no additional cost to you. These commissions help us continue curating and sharing the art worlds latest news, stories, and resources with our readers.