Dylan Sarra to exhibit at Cairns Indigenous Art Fair 2025
The First Art Newspaper on the Net    Established in 1996 Monday, July 7, 2025


Dylan Sarra to exhibit at Cairns Indigenous Art Fair 2025
Stone-Tipped Spears (Series of 13) - 210 x 6cm, eucalypt, jasper stone, acrylic, emu feathers, cotton tree and resin. Image by Louis Lim.



CAIRNS.- Carved and scarred by fire: Dylan Sarra’s powerful homage to resistance and Country to debut at CIAF 2025.

Taribelang and Gooreng Gooreng (Bundaberg region) artist Dylan Sarra will be among the standout exhibitors at this year’s Cairns Indigenous Art Fair (CIAF), unveiling a profoundly moving new body of sculptural work presented by Mitchell Fine Art from 11–13 July 2025.

A multidisciplinary artist whose practice spans printmaking, sculpture, and installation, Sarra draws from deep cultural memory and truth-telling to challenge colonial narratives and revive stories long buried.

At the heart of Sarra’s CIAF 2025 presentation are a series of Gulmari shields - scorched and inscribed with meaning alongside handcrafted glass and stone-tipped spears. Each carved shield and spear carry memory and an ongoing reckoning with truth: How it was hidden, how it survived, and how it must now be seen.

Marked with a gradual burn that spreads and overtakes the surfaces, the Gulmari shields speak to violent acts of cultural erasure when truth was often burnt and buried to protect colonial interests. The surfaces are marked and struck with weaponry and lead balls of the same size as the original colonial bullets.

The collection of glass-tipped spears references the Queensland Native Police, which were established to carry out the expansion of colonial settlement across the state in the late 1800s. They draw from historical accounts of material improvisation by Aboriginal troopers and speak to invasion, violence, and cultural erasure.

The stone-tipped spears, crafted with hand-knapped jasper stone and adorned with emu feathers, draw from traditional practices while incorporating contemporary airbrushed patterns.

“These spears assert presence and survival. They are not weapons of conquest but markers of belonging,” said Sarra.

“My work is about connecting to ancestral voices still embedded in place. By carving and creating, I am continuing a legacy interrupted by colonisation—one that carries strength, knowledge, and survival. This is not the whole story. Instead, it is the beginning.”

A four-time Telstra NATSIAA finalist, Sarra’s work is held in significant national collections including the Queensland Museum and Griffith University Art Museum.

In 2024, he was named the inaugural First Nations Fellow at the Queensland Museum, where he continued his research into the Burnett River petroglyphs and ancestral knowledge systems.

The collection will be presented in Tank 3 as part of Mitchell Fine Art’s exhibition at CIAF 2025, from Friday 11 to Sunday 13 July.










Today's News

July 7, 2025

Takashi Murakami: Stepping on the Tail of a Rainbow opens at the Cleveland Museum of Art

Pace Gallery unveils Trevor Paglen's deep dive into aerial phenomena and disinformation

Kandinsky, Picasso, Miró et al. back in Lucerne

Steve Tobin participates in the 1st Resea Coastal Public Art Season

Rijksmuseum opens major exhibition Monomania - curated by Fiona Tan

Marie-Claire Blais unveils "Streaming Light" at the Montreal Museum of Fine Arts

Walker Art Center opens exhibition exploring iconic collaboration between Trisha Brown and Robert Rauschenberg

MOCA debuts Takako Yamaguchi's first solo museum presentation in Los Angeles

Mia announces major acquisitions spanning eight centuries of global art

The Maria Lassnig Prize 2025 goes to Carrie Yamaoka

New exhibition at Ordet explores Palestinian identity, loss, and memory

Sadie Barnette unveils "How to Win" at Sean Kelly Gallery: A poetic guide to navigating modern life

Top tennis memorabilia for sale at Graham Budd Auctions

Inspired by Agha Shahid Ali, new exhibition at Fridman Gallery navigates longing, memory, and reinvention

Zero Art Fair returns, revolutionizing art collecting with egalitarian model

Harold Offeh transforms Baltic into sci-fi playscape for "The Mothership Collective 2.0"

Nina Canell's second solo show with kaufmann repetto opens in Milan

Doede Hardeman steps down as Head of Collections

Sahara Longe: At the Other Side of the Mountain opens at Arnolfini

M47 running debut at TANKFEST

Publiek Park returns: A two-chapter art journey through Brussels' botanical gardens

The Fantastic Palastics: Mission Museum

The Griffin Museum opens two photobook exhibitions

Dylan Sarra to exhibit at Cairns Indigenous Art Fair 2025




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful