New exhibition at Ordet explores Palestinian identity, loss, and memory
The First Art Newspaper on the Net    Established in 1996 Monday, July 7, 2025


New exhibition at Ordet explores Palestinian identity, loss, and memory
Francisca Khamis Giacoman, 31°42'49.5"N 35°10’13.9"E, still, 2023. Courtesy the artist.



MILAN.- A country prefix is an international dialing code that is used to identify that nation in global communications. It is the country’s “voice” around the world, the first number that is dialed to connect to it. It’s at the beginning, like a stamp that says, “This is where I come from” or “This is where I’m going.” Palestine’s is 00970: five apparently easy numbers, to reach any one of more than five million people. To this day, those numbers constitute a threshold, beyond which lies a society tilted off its axis; a direct line to a population forced to fight for its very survival, often without access to medical care, drinking water, or a safe refuge. The massacre of tens of thousands of lives documents—above and beyond any hand-wringing statements that may have been made—the hesitation and lack of commitment on the part of a great many countries to address this crisis, as if they were numbed to the ever-increasing death count. This tragedy affects us, too, because when the basic principles of international law are violated, or when war crimes and illegal occupations are normalized, violence stops being an exception and becomes common practice. The gradual process of dehumanization shatters fundamental principles of justice and compassion. If we do not bridge the gap that has opened up between individual empathy and collective indifference, we undermine the prerequisites for fair rules—those conceived to protect everyone, especially the most vulnerable—which ensure fairness and universal rights. Selective, arbitrary justice is not fair justice.

00970 is an exhibition project that brings together the voices of artists and filmmakers who have been marked by the Palestinian condition and diaspora. The exhibition, which takes the form of video works, films, and moving images, addresses the crucial themes of identity, loss, and memory, analyzing the historical and personal consequences of the war, the displacement and the occupation. The exhibition route is configured as a form of collective geography, geared towards moving beyond geopolitical borders and towards reconstructing broken pathways. The selecting of the works and the involvement of the artists are the results of a shared process, put together through ongoing dialogue, exchange and debate. 00970 is contact with the other, an endeavor to reduce distances, be they physical, cultural, or emotional. It means making a connection and listening to the voices of many people, with a view to rebuilding respectful relationships, achieving reconciliation, and living together in harmony.










Today's News

July 7, 2025

Takashi Murakami: Stepping on the Tail of a Rainbow opens at the Cleveland Museum of Art

Pace Gallery unveils Trevor Paglen's deep dive into aerial phenomena and disinformation

Kandinsky, Picasso, Miró et al. back in Lucerne

Steve Tobin participates in the 1st Resea Coastal Public Art Season

Rijksmuseum opens major exhibition Monomania - curated by Fiona Tan

Marie-Claire Blais unveils "Streaming Light" at the Montreal Museum of Fine Arts

Walker Art Center opens exhibition exploring iconic collaboration between Trisha Brown and Robert Rauschenberg

MOCA debuts Takako Yamaguchi's first solo museum presentation in Los Angeles

Mia announces major acquisitions spanning eight centuries of global art

The Maria Lassnig Prize 2025 goes to Carrie Yamaoka

New exhibition at Ordet explores Palestinian identity, loss, and memory

Sadie Barnette unveils "How to Win" at Sean Kelly Gallery: A poetic guide to navigating modern life

Top tennis memorabilia for sale at Graham Budd Auctions

Inspired by Agha Shahid Ali, new exhibition at Fridman Gallery navigates longing, memory, and reinvention

Zero Art Fair returns, revolutionizing art collecting with egalitarian model

Harold Offeh transforms Baltic into sci-fi playscape for "The Mothership Collective 2.0"

Nina Canell's second solo show with kaufmann repetto opens in Milan

Doede Hardeman steps down as Head of Collections

Sahara Longe: At the Other Side of the Mountain opens at Arnolfini

M47 running debut at TANKFEST

Publiek Park returns: A two-chapter art journey through Brussels' botanical gardens

The Fantastic Palastics: Mission Museum

The Griffin Museum opens two photobook exhibitions

Dylan Sarra to exhibit at Cairns Indigenous Art Fair 2025




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful