New focused Whitney exhibition spotlights Claes Oldenburg's groundbreaking works on paper
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New focused Whitney exhibition spotlights Claes Oldenburg's groundbreaking works on paper
Claes Oldenburg, Sketch for a Soft Sculpture in the Form of a Cake Wedge—Woman for Scale, 1962. Wax crayon, crayon wash, and watercolor on paper, 11 × 13 11/16in. (27.9 × 34.8 cm). Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2002.9. © Claes Oldenburg



NEW YORK, NY.- The Whitney Museum of American Art announced Claes Oldenburg: Drawn from Life, a focused exhibition celebrating the vibrant drawing practice of Claes Oldenburg, one of the most inventive and influential artists of the twentieth century.

Drawn from Life recommences a biannual exhibition rotation in the Museum’s 7th floor galleries that will offer focused presentations of works in the collection. The exhibition showcases Oldenburg’s drawings from the 1960s, highlighting his playful, subversive reimaginings of the objects and spaces of everyday American life. While Oldenburg is best known for his monumental sculptures of familiar objects, sculptures that often surprise viewers with their unexpected textures and outsized proportions, this exhibition traces the origins of his sculptural imagination back to his works on paper. Oldenburg’s drawing practice was essential to his creative process, serving as a testing ground for ideas that would eventually transform the visual landscape of contemporary art.

The exhibition follows Oldenburg’s early explorations on paper, beginning with The Street (1959–60), a series in which he drew inspiration from graffiti, signage, and other graphic elements of New York City to create raw, expressive depictions of urban life. Building on this foundation, Oldenburg’s The Store (1961–64) and The Home (1963–69) series feature exuberant, cartoonlike renderings of food, clothing, and household appliances—motifs that would become central to his colorful, soft sculptures, such as Soft Dormeyer Mixer (1965), which is on view in the exhibition, “Untitled” (America).

In 1965, Oldenburg began to experiment with scale in his drawings, imagining everyday objects, from fire hydrants to teddy bears, expanded to colossal proportions and looming over entire cityscapes. These visionary sketches not only challenged conventional notions of monumentality but also anticipated the artist’s later site-specific public sculptures, which continue to provoke, amuse, and delight audiences worldwide. Drawn entirely from the Whitney’s extensive holdings of Oldenburg’s works on paper, Drawn from Life reveals the remarkable range of his draftsmanship and his radical redefinition of what a “life drawing” could be. It offers visitors an intimate look into how Oldenburg observed, transformed, and ultimately reimagined the world around him through the simple but powerful medium of drawing.

Claes Oldenburg: Drawn from Life is organized by Antonia Pocock, Curatorial Assistant.










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