NEW YORK, NY.- Pace announced its representation of the Los Angeles-based artist Lauren Quin, who is known for her expansive, vibrant abstractions in which she orchestrates layers of colors, patterns, and symbols to describe, deconstruct, and interrogate the entanglement of real and pictorial space. Quin’s repertoire of dynamic movements and non- compositional forms create pulsating networks of marks and countermarks, which churn and fluctuate between the concrete and the ephemeral.
Often working at large scale, Quin constructs her paintings methodically from an arsenal of recurring gestures and techniques. Expressionistic brushstrokes are truncated by channels carved across a painting’s surface, creating sculpted fissures in images that Quin further disrupts through passages of monoprinted ink, which she weaves between layers of paint. Turbulent and engrossing, her works are as much excavated as they are made. Past and present mingle on the surfaces of her canvases, interrupting and distorting one another.
Drawing is an essential part of Quin’s process. Rather than a compositional map, drawing serves as a compass, a tool for orienteering. In her work, painting is revealed as a wilderness—the act of painting involves the risk of getting lost, of giving up the notion of fixity in space and language. Amidst this painterly derive, Quin deploys and re-deploys symbols from her ever-expanding archive of drawings, anchoring her process and linking one painting to the next.
The poetic substrate of Quin’s abstraction is temporality. In each work, Quin interrogates the unfolding of painterly time while also producing an altogether different kind of time. “You can span time inside a painting because when you look at it, you don’t read it left to right; you start to enter, circle, and travel,” Quin has said. “It takes a long time for a painting to unfold.”
Quin’s representation by Pace follows her New York solo debut in 2024 at 125 Newbury, a project space helmed by Pace Founder and Chairman Arne Glimcher. Entitled Lauren Quin: Logopanic, the exhibition was presented in two parts, bringing together a new body of work. In the 125 Newbury Free Press, Glimcher wrote that Quin’s paintings “knocked me out by their power, intensity, and ravishing beauty … They were overwhelming, like storms harnessed at the moment of exquisite danger.”
Lauren Quin’s first solo exhibition with Pace will open in Los Angeles in February 2026. Her work will be featured prominently in the gallery’s booth at the upcoming edition of Frieze Seoul in September.
Born in Los Angeles in 1992, Quin received her MFA from the Yale School of Art and BFA from the School of the Art Institute of Chicago. In addition to her 2024 exhibition at 125 Newbury in New York, the artist has presented solo shows at the Pond Society in Shanghai and Blum & Poe in Los Angeles in recent years. In 2023, she mounted her first US museum exhibition, My Hellmouth, at the Nerman Museum of Art in Overland Park, Kansas.
Quin’s paintings are included in major museums collections internationally, including the Museum of Contemporary Art, Los Angeles; the Fine Arts Museums of San Francisco; the Hirshhorn Museum, Washington, D.C.; the High Museum of Art, Atlanta; the Pérez Art Museum and Institute of Contemporary Art, Miami; the Walker Art Center, Minneapolis; the Museum of Fine Arts, Boston; the Columbus Museum of Art, Ohio; and the Long Museum and Yuz Museum, Shanghai.
