MYKONOS.- KIVOTOS MYKONOS had the honor of hosting internationally renowned American sculptor Carole Feuerman, on the occasion of celebrating her 25 years in the arts. Carole Feuerman’s choice to celebrate this milestone at KIVOTOS MYKONOS, surrounded by close family and friends, highlights the artist’s deep connection to the island of the winds, which has served as a great source of inspiration throughout her career.

The owners of KIVOTOS MYKONOS, Spyros Michopoulos and his family, shared a private lunch with the American sculptor and her guests to honor her presence and a remarkable contribution to the world of art. For the celebration of her 25- year anniversary, the Namah restaurant was reserved for exclusive use, and the The hotel’s chef, along with his team, curated a special menu featuring authentic Greek flavors.

This was not her first time visiting Mykonos—on the contrary, she has drawn inspiration from the island’s unique atmosphere and Aegean light many times before, creating works that reflect her relationship with Mykonos and the element of water, a recurring theme in her artistic expression.

“The owners of Kivotos Mykonos—well-known art collectors—and the entire staff welcomed us with warmth and appreciation! The private celebration with refined Greek cuisine and the beautiful cake they prepared for me was a truly heartfelt surprise that I will always carry in my heart!” the sculptor noted.

“Our secret trip to Mykonos was a wonderful blend of relaxation and family bonding a perfect getaway that left us all with cherished memories and a longing to return someday.”

Carole Feuerman visited Greece as a guest of Ada Iliopoulou, President of the Franco Hellenic cultural movement Le Soleil Foundation. In addition to Mykonos, she and her companions traveled to other Aegean islands that have inspired her to create some of her most iconic works — a tribute to the Greek summer. Currently, her exhibitions are being showcased in Ohio, New York, and Rome.

Recently, pop super-realist sculptor Carole A. Feuerman is captivating audiences at the Palazzo Bonaparte in Rome with her exhibition, The Body’s Voice (La voce del Corpo).

Curated by Demetrio Paparoni, the show runs through September 21, 2025. The exhibition at Palazzo Bonaparte marks a high point in Feuerman’s career, with positive critical acclaim from local and international art critics. Presenting over 100 works, including early illustrations, large-scale sculptures, immersive installations, 1970s fragmented body sculptures, and new pieces never seen before.

In this exhibition, The Body’s Voice, each of Feuerman's sculptures represents a story told through the voice of the body, a story revealed through the viewer's perception and imagination. Among the most compelling new pieces are her Tattooed Bodies, marked by intricate designs.

As curator Demetrio Paparoni explains, “Tattoos represent attempts to rewrite one’s bodily narrative, to mark important moments in life, to express the perception one wants to give of oneself or has of oneself. It is precisely because of their ability to give voice to the body with their strongly characterizing presence that Feuerman has included them in her sculptures, predominantly incomplete torsos or busts, which seem to emerge from the walls.” With these works, Feuerman deepens her dialogue with contemporary humanity, elevating the body as a site of lived experience and emotional complexity.

To coincide with the exhibition, Feuerman is releasing a new book titled I Am Mine, which explores her formative years in the 1970s and features essays by seven prominent art critics and historians: Gloria Moure, Leanne Sacramore, Tone Lyngstad Nyaas, Barbara Buhler Lynes,Kelly Devine, Victoria Noel- Johnson, and Helga Marsala. Scheduled for release in fall 2025 by Moebius Publishers, the book traces the evolution of her work and the broader context of Super-realism during a pivotal era.

Feuerman’s star continues to rise and amaze its audience

In The Body’s Voice, the human form becomes both subject and storyteller—a testament to Feuerman’s belief that art can capture our imagination with the beauty of vulnerability and the poetry of Art.