Nerman Museum to launch new monograph on ceramic artist Linda Lighton
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Nerman Museum to launch new monograph on ceramic artist Linda Lighton
Linda Lighton: Love & War will be on view from December 13, 2025, through May 3, 2026, in the Oppenheimer, Thompson, and Anonymous Galleries on the first floor of the Nerman Museum.



OVERLAND PARK, KAN.- The Nerman Museum of Contemporary Art at Johnson County Community College announced the Linda Lighton: Love & War, A Fifty-Year Survey, 1975-2025 book launch occurring at the Nerman Museum’s Café Tempo on Wednesday, September 17, 2025, from 5-8 p.m. This monography is accompanied by an exhibition by the same name that will be opening to the public at the Nerman Museum on December 13, 2025.

Linda Lighton: Love & War, A Fifty-Year Survey, 1975-2025, is a 208-page book, published and internationally distributed by Hirmer. Attendees will be able to purchase their own copy of the book, priced at $50. This richly illustrated monograph gives a comprehensive overview of her pioneering body of work, which pushes the boundaries of ceramic sculpture.

For fifty years, American artist Linda Lighton (b. 1948) has created a powerful body of subversive ceramic sculptures that explore desire in all its complex forms. Her work uses wit and seduction as conceptual weaponry to mine the relationships between sex, power, and politics.

As a Kansas City native, Lighton offers a perspective on the American cultural landscape from the country’s center—an important distinction from the predominantly coastal focus in art discourses. Her work addresses universal experiences, yet her life story tells a unique narrative of rebellion and activism. Particularly, Lighton challenges long-standing expectations for women, exploring gender inequality concerns alongside strident critiques of gun violence and environmental degradation. As the first-ever major museum survey of her work, Love & War highlights this singular artist’s continued insistence on the joyousness of life amidst social and political struggles.

Born into an affluent Midwestern family, Lighton could have taken the straightforward route and followed her father’s ambitions for her to marry well and become a housewife—a continuation of social ideals from an earlier generation. Instead, Lighton rejected this trajectory, insisting on her own desire to become an artist. When this was met with refusal, she left home, helped publish a leftist newspaper, got married, had a child, joined a commune on a Native American reservation in Washington State, where she lived without running water or electricity, and built an eight-sided log cabin by hand—all before the age of 25.










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