NEW YORK, NY.- Sikkema Malloy Jenkins announced that Jennifer Packer has been recognized with a 2025 Heinz Award for the Arts.
Established by Teresa Heinz to honor the memory of her late husband, U.S. Senator John Heinz, the Heinz Awards celebrate the extraordinary achievements of six individuals in the Arts, the Economy and the Environment. Each recipient receives an unrestricted monetary award of $250,000. The 30th Awards bring the total number of recipients to 186 and reflect more than $32 million in awards given since the program was launched in 1993.
Jennifer Packer is a celebrated figurative artist whose fluid paintings and drawings merge expressive linework, luminous color and passages of dissolution to powerful effect. Working primarily in portraiture and still life, she portrays her subjects — often friends and family — with tenderness and depth. These figures appear to emerge from or recede into the picture plane, a deliberate act of providing her sitters with privacy and autonomy. The emotional and psychological complexity of her work unfolds gradually, inviting sustained contemplation.
Deeply informed by art and social history, Ms. Packer explores the politics of visibility, identity and mourning. This stems from her early days of grappling with public fixation on representation of American identity and her desire to capture something knowable of the humans willing to sit in front of her. Her paintings possess a formal discipline refined through years of practice, yet remain open, intimate and alive with improvisation. Her still life botanical works, partially influenced by watching the events that gave rise to the Black Lives Matter movement, often serve as objects of remembrance, their lush beauty shadowed by grief. One such work, “Blessed Are Those Who Mourn (Breonna! Breonna!),” honors Breonna Taylor, who was shot by police in her home. Rather than painting Ms. Taylor directly, Ms. Packer integrates images from the relentless media coverage of the event, painting an interior populated with familiar, everyday objects.
Across her body of work, Ms. Packer constructs a language of softness and strength, weaving the personal with the political. Her paintings do not offer simple narratives; instead, they hold space for complexity, for quiet reflection and for the dignity of life.
Ms. Packer’s work has been exhibited at the Renaissance Society in Chicago, London’s Serpentine Galleries, the Whitney Museum of American Art in New York and The Museum of Contemporary Art, Los Angeles.
