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Sunday, October 19, 2025 |
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Best show of 2025 awarded to Anselm Kiefer exhibition |
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From left to right: Edwin Becker, Van Gogh Museum, Leontine Coelewij, Stedelijk Museum, Peter van Duinen, Vrije Academie, Emilie Gordenker, Van Gogh Museum, Cathelijne Broers, Cultuurfonds en Jeroen Junte, Museumtijdschrift. Photo: Marco de Swart.
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AMSTERDAM.- Anselm Kiefer Sag mir wo die Blumen sind, a collaboration between the Stedelijk Museum and the Van Gogh Museum, was voted winner of the Museumtijdschrift Exhibition Prize 2025 by the public. The prize was awarded on October 15 at the Kunsthal Rotterdam.
According to Museumtijdschrift, Anselm Kiefer Sag mir wo die Blumen sind was chosen by a convincing majority as the favorite exhibition of the past season. The double exhibition placed Kiefer at the center, highlighted his admiration for Vincent van Gogh, and showed works from the collection of the Stedelijk Museum Amsterdam for the first time, alongside new and previously unseen work.
Visitors described the exhibition as overwhelming, emotional, and the best Kiefer exhibition in years. The grandeur of the canvases and the unique design of the diptych made a deep impression on the public.
The Museumtijdschrift Exhibition Prize is an anual award for exceptional exhibitions in Dutch museums and was presented for the seventh time. The professional jury, consisting of Cathelijne Broers, director of the Cultural Fund (jury chair), Peter van Duinen, director of the Vrije Academie, and Jeroen Junte, editor-in-chief of Museumtijdschrift, compiled the shortlist, after which the public made their selection.
The exhibition was on view from March 7 to June 9, 2025, at both the Stedelijk Museum and the Van Gogh Museum.
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Today's News
October 19, 2025
Chrysler Museum celebrates Susan Watkins and her contemporaries in fall exhibition
Wolfgang Tillmans weaves constellations of image and time in new Munich exhibition
Sonia Gomes debuts first UK solo exhibition at Pace London
Christopher Wool's expansive exhibition opens at Gagosian London, highlighting interconnected practice
Walter De Maria's final sculpture, Truck Trilogy, makes European debut at Gagosian Le Bourget
VMFA appoints Dr. Wai Yee Chiong as the E. Rhodes and Leona B. Carpenter Curator of East Asian Art
Tetsuya Yamada's playful and poetic ceramic works on view at Paula Cooper Gallery vitrine
Christie's 20/21 Marquee Week in London achieves a running total of $189,670,078
Ruoxi Jin's debut solo exhibition at Mennour navigates fear, separation, and rebirth
Van Gogh Museum appoints WildBrain CPLG for global licensing representation
The Museum of Modern Art appoints Jodi Hauptman as The Robert Lehman Foundation Chief Curator of Drawings and Prints
Stephen Lawrence Prize 2025 awarded to St Mary's Walthamstow
First posthumous retrospective of Ruth Asawa's work explores the full range of the artist's practice
Largest-ever survey of Maruja Mallo's innovative art arrives at Museo Reina Sofía
Academy Art Museum appoints Brian J. Lang as Director of Curatorial Affairs
Best show of 2025 awarded to Anselm Kiefer exhibition
Edmund de Waal unveils site-specific installations at The Huntington
S.M.A.K. presents first museum solo exhibition for Belgian photographer Marc De Blieck
New display at the New York State Museum illuminates a forgotten industry
Darren Waterston deconstructs the pastoral in Works and Days exhibition at DC Moore Gallery
1899 Bank of Egypt pound brings record $66,000 to lead Heritage's World Paper Money Auction above $2 million
Five Hours, Fifty Days, Fifty Years: David Claerbout's survey of technical imagery opens at Konschthal Esch
Juergen Teller inaugurates Onassis Ready with his largest Greek solo exhibition
MOCA Toronto presents Jeff Wall Photographs 1984-2023
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