The Museum of Modern Art appoints Jodi Hauptman as The Robert Lehman Foundation Chief Curator of Drawings and Prints
The First Art Newspaper on the Net    Established in 1996 Sunday, October 19, 2025


The Museum of Modern Art appoints Jodi Hauptman as The Robert Lehman Foundation Chief Curator of Drawings and Prints
Jodi Hauptman. © 2021 The Museum of Modern Art, New York. Photo: Peter Ross.



NEW YORK, NY.- The Museum of Modern Art announced the appointment of Jodi Hauptman as The Robert Lehman Foundation Chief Curator of Drawings and Prints following a comprehensive search by the Museum in partnership with search firm Russell Reynolds. In this role, Hauptman will guide all aspects of the department’s wide ranging program, from exhibitions and publications, to acquisitions and research, to The Abby Aldrich Rockefeller Study Center—a collection of more than 70,000 drawings, prints, illustrated books, multiples, and ephemera that has been central to MoMA since its founding.

“Jodi is a curator of uncommon clarity and imagination,” said Christophe Cherix, The David Rockefeller Director of The Museum of Modern Art. “Her exhibitions and publications have changed how we look at works on paper, and as The Robert Lehman Chief Curator she will deepen the strength of MoMA’s collection while empowering audiences to connect intimately with art and artists, think more broadly, and discover new connections.”

“I am honored to take on this new role at this pivotal moment,” said Hauptman. “I look forward to sharing the Museum’s unparalleled collection, collaborating with exceptional colleagues, and illuminating modern and contemporary artists’ innovative, radically experimental, and deeply formative practices on paper—encouraging close looking and inspiring wonder in the infinite possibilities of drawings, prints, books, multiples, and much more.”

Hauptman most recently served as The Richard Roth Senior Curator in MoMA’s Department of Drawings and Prints. Her acclaimed exhibitions—including Cézanne Drawing; Engineer, Agitator, Constructor: The Artist Reinvented; Edgar Degas: A Strange New Beauty; Henri Matisse: The Cut-Outs; Georges Seurat: The Drawings; and this year’s Hilma af Klint: What Stands Behind the Flowers—have illuminated the crucial role of works on paper in modern and contemporary art, revealing fascinating new aspects of an artist’s practice and often providing the essential key to understanding their work more broadly.

Hauptman has authored and co-edited numerous award-winning publications and has partnered with colleagues in MoMA’s David Booth Conservation Department on field- shaping technical research. She has contributed to acquisition initiatives that have been transformative for the Museum’s collection, including the avant-garde works of the Merrill C. Berman Collection—with numerous artists represented at MoMA for the first time—and, this year, an extraordinary gift of drawings and paintings by Paul Cézanne from the Henry and Rose Pearlman Foundation. Hauptman holds a doctorate in art history from Yale University and earned her A.B. from Princeton University. She was a 2018 Fellow at the Center for Curatorial Leadership.










Today's News

October 19, 2025

Chrysler Museum celebrates Susan Watkins and her contemporaries in fall exhibition

Wolfgang Tillmans weaves constellations of image and time in new Munich exhibition

Sonia Gomes debuts first UK solo exhibition at Pace London

Christopher Wool's expansive exhibition opens at Gagosian London, highlighting interconnected practice

Walter De Maria's final sculpture, Truck Trilogy, makes European debut at Gagosian Le Bourget

VMFA appoints Dr. Wai Yee Chiong as the E. Rhodes and Leona B. Carpenter Curator of East Asian Art

Tetsuya Yamada's playful and poetic ceramic works on view at Paula Cooper Gallery vitrine

Christie's 20/21 Marquee Week in London achieves a running total of $189,670,078

Ruoxi Jin's debut solo exhibition at Mennour navigates fear, separation, and rebirth

Van Gogh Museum appoints WildBrain CPLG for global licensing representation

The Museum of Modern Art appoints Jodi Hauptman as The Robert Lehman Foundation Chief Curator of Drawings and Prints

Stephen Lawrence Prize 2025 awarded to St Mary's Walthamstow

First posthumous retrospective of Ruth Asawa's work explores the full range of the artist's practice

Largest-ever survey of Maruja Mallo's innovative art arrives at Museo Reina Sofía

Academy Art Museum appoints Brian J. Lang as Director of Curatorial Affairs

Best show of 2025 awarded to Anselm Kiefer exhibition

Edmund de Waal unveils site-specific installations at The Huntington

S.M.A.K. presents first museum solo exhibition for Belgian photographer Marc De Blieck

New display at the New York State Museum illuminates a forgotten industry

Darren Waterston deconstructs the pastoral in Works and Days exhibition at DC Moore Gallery

1899 Bank of Egypt pound brings record $66,000 to lead Heritage's World Paper Money Auction above $2 million

Five Hours, Fifty Days, Fifty Years: David Claerbout's survey of technical imagery opens at Konschthal Esch

Juergen Teller inaugurates Onassis Ready with his largest Greek solo exhibition

MOCA Toronto presents Jeff Wall Photographs 1984-2023




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful