Pippin Drysdale's vast ceramic landscapes take center stage at The Art Gallery of Western Australia
The First Art Newspaper on the Net    Established in 1996 Saturday, December 6, 2025


Pippin Drysdale's vast ceramic landscapes take center stage at The Art Gallery of Western Australia
Pippin Drysdale, Effigy I - Russian series bowl 1992. Porcelain, glazed and lustred, 12.8 x 44.7 cm. The State Art Collection, The Art Gallery of Western Australia. Gift of Pippin Drysdale, 1994. © Pippin Drysdale. Photo: Christophe Canato.



PERTH.- The Art Gallery of Western Australia presents Pippin Drysdale: Infinite Terrain, a landmark retrospective honouring the extraordinary career of internationally renowned ceramicist Pippin Drysdale.

Spanning over forty years of practice, the exhibition features work from the State Art Collection alongside significant loans. It offers a rare opportunity to explore Drysdale’s adventurous spirit, collaborative processes, and her singular ability to interpret the world through porcelain. Her vast fields of flowing lines and mesmerising colour evoke landscapes both intimate and expansive, inviting viewers into layered readings that intertwine memory, place, and imagination.

"Through ceramics, I immerse myself in the art I love, fueled by passion and commitment. Though discomfort often lingers, it nudges me into the depths of my subconscious, where true treasures are born. In this dance of commitment and uncertainty, I find the freedom to create authentically," expressed artist Pippin Drysdale.

Drysdale, based in Fremantle, Western Australia, began her ceramics journey in the 1980s and continues to produce new work at the age of 82. Her pieces are held in some of the most significant art collections across Australia and internationally, and her reputation as one of the country’s most respected ceramic artists is firmly established.

Her practice is driven by a deep enthusiasm for discovery of place, of self, and of creative and technical breakthroughs. Blending precise craftsmanship with fearless experimentation, Drysdale’s porcelain forms explore the vastness of colour in the landscape, revealing its capacity for both subtlety and intensity.

“Pippin Drysdale’s journeys to new and unfamiliar surroundings have long shaped her practice,” said AGWA Associate Curator of Contemporary Art Isobel Wise.

“She doesn’t necessarily create work while travelling but seeks out visually and culturally diverse environments that stimulate her eye and mind. From Australia’s remote regions to Pakistan, Canada, New Zealand, Italy, Russia and India, these lasting impressions inform her understanding of the world and in turn, her work.”

Despite her global travels, the visual language of Drysdale’s ceramics remains deeply rooted in the Australian landscape. Her mastery of form, surface, and colour has evolved into a distinct dialect, one that captures the nuances of the world through an Australian lens.

The gently curved forms, sweeping lines, and shifting fields of colour in her work offer immediate visual impact. Yet, with time, they reveal deeper layers: hand-carved lines suggest ripples of sand or sea, guiding the eye across a terrain of memory and imagination. Her pieces invite free association, sometimes looping us back to familiar forms, other times drawing our gaze across the room to new resonances offering viewers a profound and poetic journey through infinite terrain.

Pippin Drysdale is a renowned ceramist from Western Australia, highly regarded as one of Australia’s most respected ceramic artists. With an international career spanning over four decades, she continues to create new works at her home studio in Fremantle, where she began her ceramics journey in the 1980s.

Pippin Drysdale was born in Melbourne, Victoria, Australia in 1943 and grew up in Perth, Western Australia from the age of three. As a child, art was the only subject at school that allowed Drysdale to express herself and embracing this, her parents enrolled her in private classes in painting and drawing. After leaving school, Drysdale worked in various office jobs in Perth and Canberra, and later in England, before she travelled through Europe.

She returned to Australia in the early 1960s and moved to Melbourne, where she first made art for sale, creating paper flowers and selling them through local stores. She moved back to Perth in the early 1970s, settling into a cottage in Fremantle that she still lives and works in today.

In the late 1970s Drysdale began experimenting with clay. She enrolled in an Advanced Diploma in Ceramics at Perth Technical College (now TAFE), which she completed in 1982. After graduating Drysdale worked and studied in the USA. Following her return to Australia she completed Bachelor of Arts in Fine Art at the Western Australian Institute of Technology (now Curtin University). Since that time Drysdale has travelled to exhibit work, lecture in ceramics, and participate in artists residency programs in Australia, the USA, Italy, Pakistan, New Zealand, Canada, Russia, and the United Kingdom.

Her work has been included in over 450 group and solo exhibitions, and she is represented in public and private collections internationally. In 2008, Drysdale was named a Master of Australian Craft by the Australia Council for the Arts.

At the age of 82, Drysdale's art remains both technically and aesthetically remarkable. Her works have been exhibited around the world and are featured in some of the most significant art collections in Australia and internationally.










Today's News

December 6, 2025

Wifredo Lam's Cuban Surrealism shines at Miami Art Week

Detroit Institute of Arts to display Jewish ceremonial artworks on loan from the Jewish Museum in New York

Classic works of literature, science fiction and cultural history lead Heritage's Dec. 15 Rare Books auction

Courbet's Le Désespéré returns to France in historic loan

Healthy Swiss art market: Sales in Koller's November auctions reach 1.5 times the estimates

Ron Mueck returns home: Art Gallery of NSW unveils largest exhibition of the sculptor's career

World premiere exhibition Westwood │ Kawakubo unveiled at NGV celebrating two icons of fashion

McMichael presentsretrospective of Stan Douglas's global colonial narratives

Heritage Auctions marks Pearl Harbor anniversary with historic arms & militaria sale

Guggenheim Bilbao explores art's deep relationship with soil in expansive exhibition

Family of Günther Förg launches official archive to preserve the artist's legacy

Shaker masterworks and the art of Martin Kline on view at the New Britain Museum of American Art

San Antonio Museum of Art presents Canvas to Clay: Georgia O'Keeffe & Maria Martinez to Mata Ortiz & Tonalá

Museum Ludwig unveils major 2026 exhibitions celebrating its 50th anniversary

Women artists and writers shape language and space in new exhibition

Birgit Jensen blurs reality and illusion in pixelated landscape paintings at Hosfelt Gallery

Pippin Drysdale's vast ceramic landscapes take center stage at The Art Gallery of Western Australia

Van Abbemuseum acquires Tenderlymilitant.exe by Anna Zoe Hamm

Kunsthalle Basel unveils bold 2026 lineup spotlighting the next generation of boundary-breaking artists

Christie's marks Art Deco centennial with auction in New York

Shin Sang Ho's sculptural odyssey comes to light in exhibition

Copenhagen Contemporary presents exhibition program 2026

RSA welcomes winter with 'Nature turns,' a tranquil celebration of the season's quiet beauty




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful