New IVAM project traces past and future through space, myth, and landscape
The First Art Newspaper on the Net    Established in 1996 Saturday, December 20, 2025


New IVAM project traces past and future through space, myth, and landscape
Andrea Canepa, boceto digital para la pieza El soplo de la Pitón, 2025.



VALENCIA.- The project Entre lo profundo y lo distante (Between the Deep and the Distant), conceived specifically for the IVAM, takes as its starting point David Abram’s The Spell of the Sensuous, which – drawing on phenomenological philosophy and conceptions of time present in various Indigenous cosmologies – proposes that time is inscribed within the landscape. In Abram’s vision, past and future coexist within the present and are spatially situated: the past lies beneath layers of matter – strata of earth, coral rings, ancient zones of the brain – and upholds the present. The future, by contrast, rests on the horizon: a threshold linking the terrain we inhabit with what extends beyond, receding as we advance towards it.

From this idea , the lower installation explores forms of the past inscribed in space, invisible to experience, and invites visitors to enter an unknown territory. The work evokes a sense of interiority – cave, earth, body, underworld, or womb – arranging its elements so as to envelop the viewer, allowing them to move among layers reminiscent of tree rings or cave folds.

At the centre of the space, the presence of a mythical serpent is suggested – an ancestral inhabitant of the subterranean imagination across multiple cultures.

On the upper floor, a metallic line traces the perimeter of the room like a horizon, almost within reach, and is interrupted by sculptures that alter its course. The installation enters into dialogue with the ceque system of the pre-Columbian Andean world – a network of sacred lines radiating from the centre of the city towards the horizon, connecting huacas (sacred places) and mapping a correspondence between space and time. Each huaca marked moments in the Inca calendar. In this sense, the interruptions that break the line evoke those huacas as temporal markers.

The two installations are linked by an intervention on the staircase, so that the ascent evokes the crossing of a threshold – the passage from one state to another. This vertical axis functions as a rupture in continuity, a ’now‘ that traverses layers of time. Between the Entre lo profundo y lo distante explores how time is anchored in the landscape, recognising that every geography is, in essence, temporal.










Today's News

December 20, 2025

Art Institute of Chicago presents first major Bruce Goff exhibition in three decades

Lincoln, Marilyn Monroe, and Apollo 11 signatures headline University Archives' January auction

Art and adornment converge at Gagosian Gstaad in The Omnipotence of Dreams

Milestone's January 10-11 Toy Truck Spectacular rings in the New Year with the rumble of heavy metal

Scientists prepare to scan inside Chichén Itzá's El Castillo using cosmic-ray particles

Stairway to..? explores ladders and staircases as symbols of escape, ambition, and transformation

MoMA's To Save and Project returns with over 75 newly restored films from around the world

Liverpool's historic tugboat and pilot vessel undergo major conservation to secure their future

Mounira Al Solh opens Arnolfini's 2026 programme with major solo exhibition

MOCA unveils 2026 exhibition schedule

Italy revisits the Risorgimento through the art of Luigi Norfini in major bicentenary exhibition

New IVAM project traces past and future through space, myth, and landscape

Alphonse Mucha exhibition draws over 90,000 visitors to Palazzo Bonaparte

Atlanta Contemporary announces Unbound Narratives: Embodied Language

Nick Aguayo to unveil new abstract paintings at Miles McEnery Gallery

Seriously Playful will bring sculpture, drawing, and painting together at LAUNCH Gallery

Kolumba honors memory, objects, and storytelling in Musée sentimental showcase

Painting and photography converge in Galerie Miranda's winter exhibition Winterreise

Contested monument gains new context through Azra Akšamija's interactive sculpture

Marta Herford seeks Curator for Contemporary Art

Air de Paris will present ceramics, photography, and archives shaped by 30 years of artistic exchange

Neues Museum Nuremberg reexamines Boris Lurie's legacy through feminist dialogue in Testimony

Lynne Woods Turner explores movement, balance, and abstraction at Adams and Ollman

Catholic University architecture students build soaring spaceframe in the National Building Museum's Great Hall




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful