|
|
| The First Art Newspaper on the Net |
 |
Established in 1996 |
|
Wednesday, December 31, 2025 |
|
| Exhibition at The New York Historical presents selections from the David M. Rubenstein Americana Collection |
|
|
John Locke, [Second Treatise on Government] An Essay Concerning the True Original Extent and End of Civil Government (Boston: Edes and Gill, 1773). Photograph by Vincent Dilio. Courtesy of David M. Rubenstein.
|
NEW YORK, NY.- The New York Historical presents Declaring the Revolution: Americas Printed Path to Independence; Historical Works from the David M. Rubenstein Americana Collection to celebrate next years 250th anniversary of the Declaration of Independence. Tracing the development of the ideas and beliefs of the American Revolution through original, historical printings, the exhibition explores how their dissemination in the most turbulent days of the war both strengthened the political cause for American independence and assisted the military victories of the Continental Army and Navy.
Declaring the Revolution portrays the arc of the struggle through 18th-century pamphlets, broadsides, engravings, proclamations, and books, each declaring an aspect of how the colonies achieved independence. In an era when print was the only form of mass communication, these printings furthered the democratic ambitions of Americansthe highest expression of this being the Declaration of Independence. On view in the exhibition are two extraordinary printings of the Declaration: its exceedingly rare first newspaper appearance in the Pennsylvania Evening Post and the renowned State Department engraving of the original engrossed copy. Other highlights include Thomas Paines electrifying 1776 pamphlet, Common Sense, which called for independence from Great Britain, and John Hancocks 1774 oration honoring the Boston Massacre, the deadly confrontation between British soldiers and American colonists on March 5, 1770.
I am grateful to The New York Historical for featuring these foundational documents ahead of the 250th anniversary of the signing of the Declaration of Independence, said David M. Rubenstein. The items on view bring new context to one of the most important documents ever written, giving insight into the minds of our Founding Fathers as they changed the course of history.
Declaring the Revolution traces the emergence of our nation through a shared belief in the power of the people and the promise of democracy, said Dr. Louise Mirrer, president and CEO of The New York Historical. Through historical printings, the origins of the American experiment are on display, allowing us to reflect on how we live and fulfill the ideals of our nation today. As stewards of history, The Historical is proud to kick off our celebration of Americas 250th anniversary with this remarkable testament to record-keeping as we invite Americans nationwide to share and preserve their hopes for our democracy through our On Our 250th initiative.
Rubenstein added: My reason for collecting these original printings is to show them to the public to give Americans an opportunity to encounter our country's impressive history and the accomplishments of those who came before us. The American Revolution was a civil war with Britain and a transformation in the hearts and minds of colonial inhabitants, who began to identify nationally with a new alliance of thirteen colonies built around the democratic principles that the United States holds most dear. To not remember these origins of our democracy is to risk losing our democracy.
Declaring the Revolution demonstrates that Americas quest for independence was not only a military conflict, but also a battle of ideas that inspired colonists to fight and sacrifice for the promise of a sovereign new nation that adequately represented its citizenry. The Virginia Declaration of Rights, drafted by George Mason in 1776, and shown in its uncommon earliest printing, outlines the requirement of natural rights that influenced subsequent documents like the Declaration of Independence. An exceptionally rare 1773 handbill printed by enslaved persons in Boston asks that the language of freedom apply to them and points out the incongruousness of a land with bondage desiring to be liberated.
Also on display are key texts which provided the intellectual foundation for the revolution; these include printings of the Magna Carta and English Bill of Rights, as well as books by John Locke and Jean-Jacques Rousseau, among other philosophers. In addition, printings representing the major events of the military conflict between Britain and the colonies are shown, describing the Battles of Lexington and Concord, the Boston Tea Party, the Battle of Brooklyn, Washingtons victory at Trenton, and the Sieges of Charleston and Yorktown.
The exhibition is curated by Mazy Boroujerdi, special advisor to the David M. Rubenstein Americana Collection, which mounts non-partisan exhibitions of historically important printings to foster civic engagement and historical understanding, and is coordinated at The New York Historical by Valerie Paley, senior vice president and Sue Ann Weinberg director of the Patricia D. Klingenstein Library. Declaring the Revolution marks the fourth exhibition produced by the Rubenstein Collection in conjunction with The New York Historical, where the Semiquincentennial will be celebrated with a yearlong schedule of exhibitions and programs.
|
|
|
|
|
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . |
|
|
|
Royalville Communications, Inc produces:
|
|
|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful
|
|