Remember the future: Anuar Khalifi's Third Act at The Third Line
The First Art Newspaper on the Net    Established in 1996 Monday, January 5, 2026


Remember the future: Anuar Khalifi's Third Act at The Third Line
Anuar Khalifi, Remember the Future, 2025, Acrylic on Canvas, 205 x 163 cm.



DUBAI.- Remember the Future is the third solo exhibition by Spanish-Moroccan artist Anuar Khalifi at the gallery. Bringing together a new body of large-scale paintings and works on paper, the exhibition constructs the complexities of the contemporary moment. The works move between reality and imagination and across different tenses in time, inviting viewers to partake in meaning-making with curiosity and childlike wonder. Marking an evolution in Khalifi’s practice, the works feature increasingly intricate and carefully composed settings expanding the pictorial field.

Shaped by Khalifi’s sustained engagement with magical realism, art history, and poetry, the works in Remember the Future position painting as a space untethered from fixed boundaries; some paintings originate from scenes the artist has witnessed, while others are born from internal reflection. Rather than treating reality as something fixed or outside the self, Khalifi approaches it as mutable and participatory, formed through bodily presence and imagination. Replete with recurring symbols—such as chairs, vessels, and flora—his painterly surfaces invite associative readings that privilege intuition and attentiveness.

Remember the Future (2025), for instance, depicts a man standing against a vibrant pink wall in a space that hovers between interior and exterior, holding a length of white shroud stretched gently between his hands. Framed by bold planes of color and a checkered ground, the figure appears caught in a moment that feels both staged and intimate. The scene unfolds with a quiet strangeness, where the gesture feels at once ceremonial and ordinary, inviting the viewer to linger in its openness.

Works on paper introduce imaginary figures that emerged with ease, reinforcing Khalifi’s trust in intuition and chance as integral to his process. Across the exhibition, the artist resists readings solely tied to identity or geography, instead foregrounding universal concerns such as time, life, death, intimacy, spirituality, and the immediacy of lived experience. Painting becomes a site of creative storytelling, where play and freedom are reclaimed, and images feel unmistakably of the present.










Today's News

January 4, 2026

Moderna Museet hosts first major Picasso survey in 30 years

The visual language of an architect: Tadao Ando's sketches and drawings

Yoko Ono: Music of the Mind comes to The Broad in 2026

The Power Station of Art's new library space becomes a laboratory for global art

West Coast wild: California's architectural anomalies

Vitra Design Museum announces 2026 schedule of exhibitions

Pop art meets abstraction: ICA Miami unveils largest Joyce Pensato survey to date

Friedrichs Pontone explores the physical and the emotional

Frieda Toranzo Jaeger reimagines the future at Den Frie

On Time: Six artists translate time into visual language at Bienvenu Steinberg & C

Speculative worlds: Sandra Mujinga explores identity and survival at PoMo

Borås Konstmuseum inaugurates its first permanent sound artwork

Touch to see: Thyssen-Bornemisza unveils tactile route for the visually impaired

Laure Pigeon's spirit-guided drawings unveiled at the Collection de l'Art Brut

Five years of the MQ Libelle: Leopold Museum celebrates Vienna's floating landmark

Remember the future: Anuar Khalifi's Third Act at The Third Line

Timothy Taylor surveys James Bishop's formative decades

Shen Wei unveils landmark retrospective at Katonah Museum of Art

Documents of Injustice: New Nazi files reveal the systematic robbery of the Freud family

Contemporary artists channel and challenge the Shaker legacy in major exhibition at ICA Philadelphia




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful