OTTAWA.- From February 13 to July 26, 2026, the National Gallery of Canada presents Women Carvers on the Northwest Coast, a landmark exhibition that shines a long-overdue spotlight on the Indigenous women artists of wood and argillite carving.

For decades, the global recognition of Northwest Coast carving has been predominantly focused on male artists. This exhibition shatters that lens, featuring close to 60 intricate works—including totem poles, masks, and ceremonial bowls—from 14 artists whose hands have shaped the Indigenous visual and cultural identity on the coast of British Columbia since the 1950s. The works are on loan from public and private collections across Canada and the United States.

Organized by the Audain Art Museum (AMM), the exhibition is a condensed version of its 2024–25 show Curve! Women Carvers on the Northwest Coast, co-curated by renowned artist and filmmaker Dana Claxton and Curtis Collins, PhD, Executive Director of the AAM. This exhibition marks a first-time presentation of an exhibition organized by the AAM at the NGC.

“We are thrilled to bring Women Carvers to Ottawa after its incredible success at the Audain Art Museum. Our collaboration with the AAM is more than a partnership—it’s a bridge across the country. It enables our visitors to view extraordinary pieces that they might not otherwise have the opportunity to see,” said Jean-François Bélisle, Director and CEO of the National Gallery of Canada. “This exhibition goes beyond a display of technical mastery. By showcasing these works at the Gallery, we are honouring the women who have kept traditional knowledge alive. These artists are not just carvers; they are the matriarchs and the keepers of the songs, dances, and ceremonies that give these objects their life.”

“The Audain Art Museum is pleased to be presenting the work of these talented carvers at the National Gallery of Canada, as it offers visitors a new understanding of Indigenous art traditions on the Northwest Coast,” said Curtis Collins, PhD, Executive Director of the Audain Art Museum.

A Legacy in Wood and Stone

The exhibition traces a lineage of women artists, beginning with the foundational contributions of three iconic figures: Ellen Neel (Kwakwaka’wakw), Freda Diesing (Haida), and Doreen Jensen (Gitxsan).

Their pioneering work paved the way for the featured celebrated artists —Susan Point (Musqueam Coast Salish), Dale Marie Campbell (Tahltan-Tlinget), and Marianne Nicolson (Kwakwaka’wakw)—as well as a vibrant new generation of carvers, including Marika Echachis Swan (Tla-o-qui-aht, Nuu-chah-nulth, Scottish and Irish descent), Morgan Asoyuf (Ts’msyen), Cori Savard (Haida), Stephanie Anderson (Wet’suwet’en), Veronica Waechter (Gitxsan/European settler descent), Arlene Ness (Gitxsan), Cherish Alexander (Gitxsan), and Melanie Russ (Haida), who continue to push the boundaries of the medium today.

The works on display include carvings from Ellen Neel (1916-1966), who was the first woman in what is now known as Canada to become recognized for carving totem poles professionally. Many of the artists draw from the rich stories passed down from their ancestors, evidenced in Dale Marie Campbell’s mask Woman Who Brought the Salmon, 2021, made of alder and abalone shell, and Cori Savard’s Xiilang (Thunderbird), 2021.

Wahsontiio Cross, Associate Curator, Indigenous Ways and Decolonization at the NGC, is the coordinating curator for the Ottawa presentation.