MUNICH.- Lisette Model (1901–1983) is considered one of the most influential photographers of the 20th century. Her images depict urban life with uncompromising directness – from high society to the margins of society. The exhibition presents a focused selection of key bodies of work and iconic photographs that reveal Model’s uncompromising vision and her lasting impact on photography.

Lisette Model (1901–1983) brought about a sudden change in photography with her spectacularly direct pictures. Her immediate, humorous, frequently confrontational, yet sometimes also empathetic style of representation revolutionized traditional documentary photography. Her pictures of street-life scenes and portraits combine social realism and emotional expression: “Shoot from the gut!” was her famous credo. This exhibition brings together Model’s most important groups of works from her nearly thirty-year career, from 1933 to 1959, including works that have never been on view before.

Lisette Model was born as Elise Amelie Felicie Stern (Seybert) into an upper class Viennese family with Jewish roots in 1901. She initially pursued a musical education and from 1919 to 1921 attended courses taught by composer Arnold Schönberg at the progressive Schwarzwald School, which had been founded by Eugenie Schwarzwald. Her contact with Schönberg proved formative for Model’s artistic work. After her father’s death, Lisette Model, together with her mother and sister, moved to France in 1926, where she discovered photography. In 1934 she shot her first extensive portrait series of wealthy idlers in Nice, which caused a furor for betraying social criticism in the heated political climate of the time.

Having emigrated to New York in 1938, Model quickly made a name for herself in the art scene as a freelance photographer for such influential magazines as Harper’s Bazaar. She photographed the contrasts of urban life: in unsparing images, Model presented the impoverished population of the Lower East Side; in scathing portraits, she depicted the upper classes indulging in their pleasures; and in a number of dynamic series, she captured the pulsating nightlife of the metropolis. In the late 1940s and 1950s she created her first series of works outside New York. Due to political reprisals during the McCarthy era, Model’s artistic work stagnated. She embarked on an influential career as a teacher, shaping an entire generation of photographers, including Larry Fink, Diane Arbus, Bruce Gilden and others. Model’s behavior was indicative of the protective shield she had built around her private life as a result of her threatening encounter with the paranoia of the McCarthy era.

In her public statements and interviews Lisette Model obscured facts and details of her biography. She resisted simplistic interpretations of her work, but also concealed and marginalized references to politically explosive works, such as the publication of her photographs from Nice in the communist publication Regards in the mid-1930s.