The Museum of Fine Arts, St. Petersburg opens major survey of artist Ali Banisadr
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The Museum of Fine Arts, St. Petersburg opens major survey of artist Ali Banisadr
Ali Banisadr (b. 1976), These fragments I have shored against my ruins, 2023, oil on linen, 86 x 180 in. Mohammed Afkhami Foundation. Photography by Genevieve Hanson. © Ali Banisadr.



ST. PETERSBURG, FL.- This spring, the Museum of Fine Arts, St. Petersburg (MFA) presents Ali Banisadr: The Alchemist, a landmark exhibition celebrating one of the most visionary artists working today. On view from April 11 through July 12, 2026, this presentation marks the first major U.S. museum survey devoted to Ali Banisadr’s singular practice. The exhibition brings together 34 works, including 22 oil paintings and 12 works on paper, spanning nearly twenty years of the artist’s career, from 2006 to the present. Ali Banisadr: The Alchemist is organized by the Katonah Museum of Art.

Born in Tehran and now based in New York, Banisadr is renowned for densely populated compositions that shimmer with energy. His synesthesia—experiencing sound as color, movement, and textures—directly informs the vibrational, orchestral quality of his surfaces. Drawing on formative childhood memories of the Iran-Iraq War (1980–88), where explosions and aural disruptions were part of daily life, Banisadr painstakingly constructs worlds that feel at once turbulent and celebratory.

“Ali Banisadr’s work is a powerful testament to the vitality of contemporary art,” says Klaudio Rodriguez, Executive Director & CEO of the Museum of Fine Arts, St. Petersburg. “By bringing together two decades of his career, we invite our visitors into a world where global history and personal memory collide. It is a privilege to host an artist whose work so masterfully captures the complex rhythm and sensory depth of our time.”

The exhibition illuminates Banisadr’s practice as a constant negotiation between chaos and composure, abstraction and representation. His images demonstrate a dazzling command of art history, philosophy, and world events, offering nuanced reflections on human nature. These works are rich with figurative illusions and anchored in autobiographical narrative, sonic recollection, invented storylines, collective memory, and mythology.

Rather than drawing on any one source, Banisadr synthesizes influences as varied as German Expressionism, late Medieval painting, Renaissance art, Mesopotamian antiquities, and Persian miniatures, transforming them into pictorial environments attuned to the instability and intensity of today’s world. Across these works, Banisadr reflects on cycles of conflict, instability, and renewal—offering a painterly response to a world shaped by displacement, political upheaval, and sensory overload.

“Banisadr’s works are profoundly alive,” says Dr. Stanton Thomas, Hazel and William Hough Chief Curator at the Museum of Fine Arts, St. Petersburg. “He is an alchemist in the truest sense—transmuting memory, trauma, story, and sensation into visual worlds that pulse with immediacy. His work reminds us how contemporary painting can still astonish, challenge, and expand the ways we see ourselves.”

The exhibition unfolds across the MFA galleries as a series of environments where memory, time, and perception collide and meaning unfurls slowly, like a story being told and retold across centuries.










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