INAH restores ancient Maya structure damaged by Tropical Storm Alberto
The First Art Newspaper on the Net    Established in 1996 Saturday, May 16, 2026


INAH restores ancient Maya structure damaged by Tropical Storm Alberto
The decorative architectural element dates from the Classic period, 500 and 800 AD. Photo: Sandra Pérez.



MEXICO CITY.- Specialists from Mexico’s National Institute of Anthropology and History have restored a more than 1,000-year-old architectural element at the Comalcalco Archaeological Zone in Tabasco, recovering an important example of Yokot’an Maya, or Chontal Maya, construction.

Known as Structure 5, the stuccoed architectural sculpture was damaged in June 2024 after Tropical Storm Alberto brought heavy rains to the region. The force of the weather caused the piece to lose stability, fall, and break into six fragments.

The restoration was carried out by INAH specialists between August and December 2025. The work focused not only on putting the piece back together, but also on stabilizing its materials so it can be preserved for future generations.

A rare example of Comalcalco’s architecture

Structure 5 is a decorative architectural element from Temple V of the Great Acropolis, an area of the archaeological zone that is closed to the public. It measures 66 centimeters high, 175 centimeters long, and 45 centimeters wide, and weighs around half a ton.

The piece is made with oyster-shell mortar and irregular bricks, materials closely associated with Comalcalco’s distinctive architecture. Its front face features a spiral-shaped relief, adding to its historical and artistic significance.

The structure dates to the Classic period, between 500 and 800 A.D., when the ancient city was at its height.

Mexico’s Secretary of Culture, Claudia Curiel de Icaza, said the recovery reflects the importance of INAH’s specialized work in protecting the country’s archaeological heritage.

“Each restored piece brings us closer to the memory of the peoples who came before us, strengthens the right to identity, and allows more people to learn, in their own territory, about the cultural wealth that forms part of our shared history,” she said.

A difficult restoration

The project was led by restorers Sandra Lucía Pérez Arellano and Samantha García Dorado of the INAH Tabasco Center, with support from Carlos Arturo Giordano Sánchez Verín, director of INAH’s state office, and maintenance personnel.

Because of its size and weight, moving the structure to a temporary laboratory inside the archaeological zone was one of the first major challenges. Once there, specialists began with a detailed photographic record to document the fragments and determine how they fit together.

The piece had been exposed to the elements, which caused the growth of microorganisms on its surface. Restorers carried out a deep cleaning and consolidated areas with cracks, fractures, and weakened mortar.

García Dorado described the process as painstaking. Reassembling the structure was like solving a complex puzzle, she said, especially because many of the broken edges had lost their original shape.

To choose the right materials for the restoration, the team reviewed studies on cementing materials and conducted mortar tests. They ultimately used sascab, a type of disintegrated limestone from the Moral-Reforma Archaeological Zone, along with lime, sand, and clay.

The restored piece was placed on a metal support that gives it stability.

A city built with brick and shell

Comalcalco is one of the most unusual Maya cities because of its building techniques. Unlike other Maya sites where limestone was widely used, Comalcalco is known for its extensive use of brick and oyster-shell stucco.

Its architecture includes three main construction systems: compacted earth covered with oyster-shell stucco; earthen cores covered with brick; and brick masonry.

The city is believed to have originally been called Joy’ Chan, which means “rolled sky” in the Yokot’an language. As a port settlement, it was occupied for more than 1,000 years, from around 200 B.C. to 1000 A.D.

Preserved for future visitors

For now, Structure 5 will remain in the Comalcalco Site Museum, where visitors will be able to see it under controlled temperature and humidity conditions. These measures will help protect the restored element and slow future deterioration.

The recovery of Structure 5 offers a closer look at the technical skill and symbolic world of the ancient Maya builders of Comalcalco. It also shows how fragile archaeological heritage can be when exposed to climate, weather, and time — and how careful restoration can return damaged works to public view without erasing the marks of their long history.










Today's News

May 17, 2026

What brands are made of: A comprehensive look at 110 outstanding brand designs

David Zwirner marks 20-year partnership with landmark Lisa Yuskavage exhibition

New interpretation sees Tepantitla mural as a great agricultural celebration

The Montreal Museum of Fine Arts brings the legendary Torlonia Collection to Canada

Maritime Museum to refresh Titanic gallery with local links

INAH restores ancient Maya structure damaged by Tropical Storm Alberto

Hauser & Wirth presents first solo gallery survey dedicated to Italian maverick Carol Rama

Eric Firestone Gallery reimagines postwar history through the lens of women's abstraction

Stedelijk Museum Schiedam mounts first Lou Loeber solo exhibition in 33 years

Overbeck-Gesellschaft debuts Zishi Han's first institutional solo exhibition in Germany

PAV Parco Arte Vivente revisits the ecological and anthropological archives of Claudio Costa

Smithsonian Starstruck to launch an immersive journey to the cosmos

Klaus von Nichtssagend Gallery presents debut solo show by John Hyen Lee

Paul Thiebaud Gallery unveils Eileen David's latest San Francisco urban landscapes

Carolyn Brehm makes record-setting gift funding museum education leadership role

Audain Art Museum opens 'Vistas: From Takao Tanabe's Travels'

The British Museum unveils a forest on its forecourt inspired by the Bayeux Tapestry

Miles McEnery Gallery unveils eighth solo exhibition by Michael Reafsnyder

James Cohan unveils Blooms Disrupted, an exhibition of new works by Fred Tomaselli

MoMA presents the first US monographic retrospective of queer filmmaker Teo Hernández

Tramway arts centre opens interactive exhibition created by artist Harold Offeh in September




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



The OnlineCasinosSpelen editors have years of experience with everything related to online gambling providers and reliable online casinos Nederland. If you have any questions about casino bonuses and, please contact the team directly.


sports betting sites not on GamStop

Truck Accident Attorneys



Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez


Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful