NORFOLK, VA.- This summer, the
Chrysler Museum of Art presents Constellations: Contemporary Jewelry from the Dallas Museum of Art, a sweeping survey of wearable art spanning nearly a century of innovation. On view July 10, 2026-Jan. 3, 2027, this exhibition brings more than 350 works to 1 Memorial Place, Norfolk, Virginia from one of the most significant contemporary jewelry collections in the United States, formed by the Dallas Museum of Art.
More than a survey of contemporary jewelry, Constellations celebrates artists ability to expand the boundaries of wearable art through innovation and creativity, says Mark A. Castro, director of curatorial affairs at the Chrysler Museum. The exhibition invites audiences to embrace the full range of the mediums potential to engage serious issues while also fostering playfulness and delight.
Featuring more than 230 artists from 41 countries, Constellations reveals how jewelry expresses more than the wearers status and taste; it communicates vital ideas about aesthetics, functionality, the current moment and our wondrous world. The exhibition is presented in four thematic constellations that draw connections between works and explore how artists have expressed the ideas of their time: Zones of the Body, Archetypes, Signals and Play. Just as constellations allow stargazers to map a structure onto the vast night sky, these groupings help visitors navigate paths through the diverse pieces on view.
Genevieve Howard, Gleo neckpiece, 2023, Japanese linen paper, Fabriano paper, and elastic cord, Dallas Museum of Art promised gift of Deedie Potter Rose. © Genevieve Howard. Photo by Chad Redmon, courtesy Dallas Museum of Art.
From gold crowns that resemble cardboard to necklaces made from plastic bags and brooches shaped like toast, the breadth of the works included underscores ongoing dialogues inherent in contemporary jewelry, from explorations of new materials to playful kinetic experimentations. In doing so, Constellations traces the shifting ideals of beauty, wearability, identity and the importance of the creator and wearer throughout.
Since 1950, the Dallas Museum of Art has built one of the largest and most diverse holdings of contemporary jewelry. Constellations marks a rare opportunity for audiences to experience the depth of this collection outside of Texas, with many works seldom exhibited. For the Chrysler Museum, Constellations offers visitors a rare opportunity to experience jewelry not simply as adornment, but as sculpture, storytelling and social commentary an art form in constant evolution.
Constellations: Contemporary Jewelry at the Dallas Museum of Art is organized by the Dallas Museum of Art. The exhibition was curated by Sarah Schleuning, The Margot B. Perot senior curator of design and decorative art at the Dallas Museum of Art.
The Chrysler Museum Of Art
The Chrysler Museum of Art welcomes you to connect with art, creativity and our shared humanity. Internationally recognized for its collection of more than 35,000 objects, including one of the largest glass collections in America, the Museum also includes free admission, the state-of-the-art Perry Glass Studio, a full-service restaurant, shop, theater, works on paper space and oversees the historic Myers House. The Museum boasts an ambitious schedule of exhibitions, events and programs and has been nationally recognized for its commitment to inclusion through its innovative gallery host program. For more information, visit chrysler.org. Follow on social media @ChryslerMuseum to receive the latest updates.
Robert Baines, Red Car bracelet, 2014, from the series The Intervention of Red, electroplated sterling silver, paint, collected object, Dallas Museum of Art, TWO × TWO for AIDS and Art Fund for Wearable Art, 2018.27. © Robert Baines. Photo by Chad Redmon, courtesy Dallas Museum of Art.
Contemporary Jewelry at the DMA
The Dallas Museum of Art then known as the Dallas Museum of Fine Artsbegan collecting contemporary jewelry in 1950 with the acquisition of a collection of enamelwares by San Diego-based artists Ellamarie and Jackson Woolley, including three pendants by Ellamarie. Throughout the 20th century, the collection expanded with pieces primarily by local and regional makers, including the pioneering North Texas Lady Blacksmiths (Velma Davis Dozier and Esther Webb Houseman) along with Thetis Lemmon, who taught themselves and others the art of metalworking and jewelry design.
The collection began to blossom in scope in 2010, when the Museum was gifted a series of important contemporary works by local philanthropist, collector and longtime DMA supporter Deedie Potter Rose. Four years later, Deedie and her husband, Edward Rusty Rose, gifted the Museum the collection of noted Austrian collector and gallerist Inge Asenbaum (1925-2016), one of the most significant voices in contemporary jewelry of her time. The Asenbaum Collection, composed largely of international works from the 1960s to the turn of the 21st century, bolstered the DMAs collection with over 700 pieces of jewelry by 150 artists, in addition to drawings, catalogues and other ephemera.
These acquisitions catalyzed a new era for contemporary jewelry at the DMA, inspiring additional gifts from donors, key acquisitions and even commissions of new works for the collection by artists Iris van Herpen, Joyce J. Scott, Brian Fleetwood and Ute Decker.
David Bielander, The Big Apple Neckpiece tiara and necklace, 2015, from the series Cardboard, patinated silver and white gold, Dallas Museum of Art, promised gift of Deedie Potter Rose. © David Bielander. Photo by Chad Redmon, courtesy Dallas Museum of Art.
G Marie Luxuries | The Art of Jewelry
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