From Stubbs to Degas: The Master Painters Who Defined the Art of the Horse and Why Their Legacy Still Resonates Today
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From Stubbs to Degas: The Master Painters Who Defined the Art of the Horse and Why Their Legacy Still Resonates Today



We can all agree that there is something eerie about horse racing paintings. Okay, maybe not eerie, but they definitely spark some emotions. But why?

Well, horses are beautiful creatures. They are just magnificent to look at. All those muscles, strong stance, and motion are the reason we feel those emotions. On top of that, horses carry a lot of symbolism, and that’s been the case for thousands of years.

Lastly, it requires a true professional or master painter to paint a perfect horse. If you ask any painter, they will definitely agree that horses are one of the most difficult things to paint. They have a unique physique: four legs, a mane, and a tail. If one of those parts is even slightly incorrectly painted, it will throw off the entire painting.

Plus, they carry movement; their muscles appear and disappear behind their skin, and the only way to paint the perfect horse is if you’ve been around horses for quite a while.

Over the years, we’ve seen some incredible horse paintings, and in today’s article, we will highlight some of the best ones.

George Stubbs Made the Horse Worthy of a Portrait
If we’re talking about master painters, the most obvious name that comes to mind is George Stubbs.

He was born in Liverpool in 1724 and became famous in 18th-century Britain for animal paintings, particularly the racehorses owned by aristocratic patrons. Stubbs was in the perfect niche.

Why? Well, if we go back to that time in Britain, horse racing was a sport reserved for the elite. And when you have a lot of money, and your horse won a big race or has a special meaning for you, the next obvious thing is to get a portrait of your horse.

But George Stubbs went well beyond painting horses. He studied these animals and even published an incredibly detailed painting called The Anatomy of the Horse, which illustrated the horse’s bones, muscles, blood vessels, and other structures. So, clearly, he understood how horses looked with and without the skin and knowing the anatomy of a horse will result in perfect horse paintings.

Since he commonly painted racehorses, he also understood the sport quite well. Maybe he wasn’t a bettor or someone who knew all about horse racing bet types, but he was clearly involved with the sport indirectly. Betting is a huge part of horse racing, and these races have always been inspiration for painters.

So, before you get your first horse portrait, make sure you understand all the horse racing bet types. If you love horses, you’ll definitely appreciate horse racing.

Then came his masterpiece that still shocks the world today. We’re talking about Whistlejacket, a painting that he finished around 1762. But what’s so special about this horse painting?

Well, the most impressive thing is the size. This is a huge horse portrait that’s nearly 3 meters tall and 2.5 meters wide. This painting shows Marquess of Rockingham’s retired racehorse with a beautiful landscape. Even the National Gallery in London says this is one of the most important British paintings of the 18th century.

Thodore Gricault Turned Horses Into Pure Energy
Where Stubbs studied structure, Thodore Gricault became fascinated with movement.

The French Romantic painter loved horses and drew and painted them repeatedly throughout his short career. The Metropolitan Museum notes that he depicted everything from workhorses to racehorses, while the Louvre preserves numerous equestrian studies and paintings connected to his obsession with the animal.

Gricault's The 1821 Derby at Epsom is particularly important because the horses appear to fly across the landscape with their legs dramatically extended. It captures the sensation of speed brilliantly, even though later photographic studies would show that a galloping horse does not actually move its legs in quite that way. The Louvre has exhibited the painting alongside Stubbs and Degas, specifically in the context of how artists represented the Thoroughbred and horse racing.

Rosa Bonheur Gave Horses Monumental Presence
Then came Rosa Bonheur, who made animal painting impossible to dismiss as a minor genre.

Her masterpiece, The Horse Fair, was begun in 1852 and first exhibited at the Paris Salon in 1853. The Metropolitan Museum's enormous original measures more than five meters across and depicts the horse market on Boulevard de l'Hpital in Paris, where powerful animals twist, pull, and surge around their handlers.

The scale matters. Bonheur did not paint horses as pleasant countryside accessories.
She gave them the dimensions normally reserved for historical battles and grand public events.

She also studied animals directly. The National Gallery of Art describes Bonheur as a highly successful painter and sculptor of animals and notes that she obtained official permission to wear trousers because doing so made field study easier in environments such as livestock markets.

Look closely at the Horse Fair, and the individual animals are remarkably different. Some resist their handlers. Others move calmly. Muscles tighten, heads turn, and hooves strike the ground in different rhythms.

Edgar Degas Wanted to Understand What the Eye Could Barely See
Most people associate Edgar Degas with ballet dancers. He spent almost as much intellectual energy thinking about horses.

Degas returned repeatedly to racecourses, jockeys, and Thoroughbreds in paintings, drawings, prints, and sculpture. When the National Gallery of Art organized Degas at the Races, the exhibition included 41 paintings, 67 drawings and prints, and 19 sculptures devoted to equestrian and racing subjects.

His racing works often focus on the moments surrounding competition rather than the dramatic finish. Jockeys gather before the start. Horses turn sideways, lower their heads, or become restless. In The Races of 1871-72, groups of riders wait while racing unfolds farther in the background.

Clearly, horses inspired many artists over the years. And it is easy to see why. These beautiful creatures carry a lot of emotion and symbolism, and they’re often tied to horse racing, which is an entirely different industry.

There are many other paintings where horses are present, but we tried to feature the ones where horses are the main subject.


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