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Monday, October 26, 2026 |
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| Harriet Whitney Frishmuth's bronze dancers on view in Manhattan |
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Harriet Whitney Frishmuth (1880-1980), Wild Grapes, 1926. Bronze. Gift of the Ruth Talcott Estate. 1987.083
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NEW YORK, NY.- The Syracuse University Art Museum presents And she had a pose that was fascinating: Harriet Whitney Frishmuths Models and Sculptures, now on view through February 4, 2027 at the Louise and Bernard Palitz Gallery at the Joseph I. Lubin House in midtown Manhattan.
In the early twentieth century, Frishmuth earned critical acclaim for her small bronze figures of dancers, caught in motion. Later in her life, she received less attention than some of her peers after moving from New York City to live a private life in Philadelphia. This exhibition marks her first solo exhibition in nearly twenty years, inspired by curator Em Spencer G26s Art History graduate capstone project last spring.
Bronzes and drawings from the Art Museums collection highlight Frishmuths dynamic depiction of the human body. Her focus on modern dance and her close relationships with her models, often ballerinas, breaks from the static poses and traditional artist-model relationships of her classical training as a sculptor. Her friendships made the studio a collaborative space, where the dancers, unusually, contributed to the art being made by choosing their own poses.
Spencer first came across Frishmuths work during a graduate seminar with art history professor Sascha Scott, where the assignment was to find an understudied artist in the Art Museums collection. Spencer spent more than a year working with her papers in Special Collections Research Center at Bird Library while working at the Art Museum as a collections assistant. With curator Melissa Yuen, Spencer developed their capstone into this fully-fledged exhibition.
For this exhibition, we wanted to focus on what set her apart from how women were being depicted at that time: why her sculptures were different and what makes them compelling, Spencer says. Spencer connects the intimacy of the figures to how closely Frishmuth worked with her models. Looking at them in person, you really get a feel for how talented she really was.
The second floor of Syracuse Universitys Lubin House, located at 11 E. 61st Street in New York City, is home to the Louise and Bernard Palitz Gallery, the Museum's visual arts venue in midtown Manhattan. For more information, please visit museum.syr.edu.
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