Collection rotation at Art Institute of Chicago explores the human form in African art
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Collection rotation at Art Institute of Chicago explores the human form in African art
Senufo; Côte d’Ivoire. Female Caryatid Drum (Pinge), c. 1930-c. 1950. The Art Institute of Chicago, Robert J. Hall, Herbert R. Molner Discretionary, Curator’s Discretionary, and African and Amerindian Art Purchase funds; Arnold Crane, Mrs. Leonard Florsheim, O. Renard Goltra, Holly and David Ross, Departmental Acquisitions, Ada Turnbull Hertle, and Marian and Samuel Klasstorner endowments; through prior gifts of various donors.



CHICAGO, IL.- The Art Institute of Chicago announced Body and Being in African Art, on view November 2, 2026–March 1, 2028. This Arts of Africa collection rotation brings together 53 objects ranging from masks and headdresses to jewelry and instruments from across the African continent. These objects—11 of which have never been exhibited at the Art Institute before—explore the cultural significance of the body as the center of artistic creation in African art.

Many African cultures share the belief that the body and its outer appearance is a reflection of an individual’s inner being—their character, health, and social belonging. This presentation features objects produced and used by a variety of African cultures in the 19th and 20th century that mark important moments for both the individual and community such as birth, death, transitions from childhood to adulthood, and communication with the otherworld.

“The works that are on display in this rotation are not only meant to be looked at, but lived with as well. They are associated with every aspect of life, and showcase the variety of cultures that exist on the continent that share similar beliefs but express them in disparate ways,” said Constantine Petridis, Rita Knox Chair and Curator, Arts of Africa. ”We hope visitors learn more about the cultures and communities that created these objects in honor of the body and feel the direct relationship between their bodies and the objects on display.”

Body and Being in African Art is curated by Constantine Petridis, Rita Knox Chair and Curator, Arts of Africa.


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