NEW YORK.-“Landscape has been for me one of the sources of my energy… I find that all natural forms are a source of unending interest—tree trunks… the texture and variety of grasses… The whole of Nature is an endless demonstration of shape and form.” —Henry Moore, Energy in Space, 1973

The New York Botanical Garden will host the largest outdoor exhibition of Henry Moore’s sculpture ever presented in a single venue in America. The show, a collection of 20 major pieces, will open at the Botanical Garden on May 24, 2008, during the height of the spring flowering season. These magnificent works will be positioned throughout the Garden’s 250 acres and among its 50 gardens and plant collections and will remain on view through November 2, 2008.

The Henry Moore Foundation, which is dedicated to furthering the understanding, appreciation, and enjoyment of Moore’s work, is co-curating this exhibition with The New York Botanical Garden.

In addition to the finished works of art, there will be a display in the Orchid Rotunda on the first floor of the Library building of several of Moore’s maquettes, tools, and found objects from the artist’s studio at Perry Green, near London, offering a glimpse into his creative process.

During Moore in America, the Everett Children’s Adventure Garden will offer a special interactive program allowing children to create their own works of art inspired by Henry Moore through the crafting of collages and clay sculptures, and through other activities.

Shop in the Garden will welcome Moore in America with a variety of books and unique items about—and inspired by—Henry Moore’s work. Among these is a rare 1980 facsimile Moore sketchbook published in a limited edition of 350 and a Moore in America exhibition catalog. In addition, the Shop will offer a small selection of reproduction lithographs as well as journals, note cards, and cleverly designed T-shirts and caps. Other charming exhibition keepsakes are boxed sets of mugs and dessert plates featuring Moore illustrations.

Henry Moore, born in 1898 in Castleford, Yorkshire, is one of the world’s best known and most beloved 20th-century sculptors. Moore’s first solo show of sculpture was held in London in 1928. In 1943 he received a commission from the Church of St. Matthew, Northampton, UK, to carve Madonna and Child, the first in an important series of family-group sculptures. Moore was given his first major retrospective outside of England by the Museum of Modern Art, New York, in 1946. He won the International Prize for Sculpture at the Venice Biennale of 1948. In 1963 the artist was awarded the British Order of Merit. Moore died in Much Hadham, Hertfordshire, in 1986.

Henry Moore intended that his monumental works of sculpture be presented in expansive landscapes so that their mass and size could be seen from many angles, in great variety of light, and in differing seasons. He wanted people to get up close and touch them. The New York Botanical Garden fits his intent perfectly, offering sweeping, undulating terrain, diverse plant collections, and captivating gardens with

the appropriate scale and beauty to complement his sculpture. One of the finest botanical gardens in the world and the most treasured and beloved landscapes in New York City, it offers appealing outdoor venues for such an exhibition, including the vicinity surrounding the landmark Enid A. Haupt Conservatory, the Beaux-Arts Library building with its expansive lawns and a cathedral-like tulip tree alleé, two spectacular conifer collections, and one of the most beautiful rose gardens in America.

New York City, as one of the world capitals of art and culture, is filled with people who know and love the work of Henry Moore, appreciate compelling art, and are committed museum goers. The combination of fine Moore sculptures and the spectacular Garden settings will draw New Yorkers as well as visitors with great enthusiasm to this exhibition.