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Stewart Art Collection At BYU MOA Highlights Bold Colors, Vivid Hues of Southwest |
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Georgia O’Keeffe, White Primrose, oil on canvas, 25 3/4 x 19 11/16 in.
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PROVO, UT.- In the late 19th and early 20th centuries, artists flocked to the American Southwest captivated by its rugged, unspoiled landscape and the native people who had been there for hundreds of years. The artistic visions of this land and its people captured in vivid hues and bold colors on the canvases of these painters continue to resonate today as museums and collectors compete with increasing enthusiasm to build collections of Southwest art.
Visions of the Southwest from the Diane and Sam Stewart Art Collection, a new exhibition at the Brigham Young University Museum of Art opening Friday, Feb. 13, 2009, will feature 124 works of art from the private collection of Diane and Sam Stewart, Utah art collectors and friends of the museum. The oil paintings, works on paper, and sculpture in this collection were created by many of the master artists of Taos and Santa Fe, New Mexico including Oscar E. Berninghaus, Bert Phillips, E. Martin Hennings, Joseph Henry Sharp, Georgia OKeeffe, Conrad Buff, and Freemont Ellis as well as their contemporaries in California, Utah, and other Western states. Native American baskets, pots, and rugs from the Stewarts collection and furniture from the Gerald Peters Gallery in Santa Fe will complement a number of the works in the exhibition.
The Stewarts belong to a tradition of collecting Southwest art, said Museum of Art Curator Paul Anderson. This art has thrilled people for more than 100 years. And many have come to see the works produced by these artists as truly American because they relate us to our roots and connect us to the unspoiled land of the West.
Anglo artists discovered Taos and other Pueblo settlements around the rugged Sangre de Cristo Mountains in the late 19th century. By the early years of the new century, artists colonies were thriving at Taos and Santa Fe. Enthralled with the stunning scenic vistas that surrounded them, the painters were drawn even more by the local cultures that had coexisted in peaceful serenity over the centuries. These artists, who had mostly trained in Europe and the best Eastern schools, saw the Southwest landscape and people as fresh subject matter for a distinctly American art form. They saw the Pueblo culture as a perfect example of a people gaining strength from lives lived in harmony with nature, a striking contrast to the fast paced, competitive, industrial culture coming to dominate the rest of the country.
The generation of artists who arrived before the end of World War I, including Berninghaus, Phillips, Hennings, and Sharp, generally worked in traditional, representational styles they had mastered in their earlier studies. But these Taos artists were impelled to employ new techniques to effectively render the open, arid vistas and hard, white brightness of the high desert terrain. They often used brighter, more intense colors and broader brushstrokes than they had previously employed in their landscapes and figures. Many artists who arrived after 1918, including OKeeffe, Buff, and Ellis, produced works that were often more influenced by modernist trends that stressed the elemental shapes and the core ideas underlying the dramatic scenery and exotic local culture.
The Stewarts have created a harmonious setting for these works of art in their rambling Southwest-style home in Palm Springs, California. The paintings are displayed together with collections of pottery, baskets, and other objects from Native American and Hispanic artists and artisans of the Southwest, Anderson said. We wanted the museums exhibition of this superb collection to give visitors a small taste of what it would be like to visit the Stewarts in Palm Springs, surrounded by beautiful art and fine
craftsmanship.
Visions of the Southwest from the Diane and Sam Stewart Art Collection will be on view in the Marian Adelaide Morris Cannon Gallery on the museums main level. The exhibition will run through July 3, 2009. Admission is free of charge. For more information about the museum, visitors can call (801) 422-8287 or visit http://moa.byu.edu.
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