BERLIN.- Haunch of Venison Berlin presents 'Have You Ever Really Looked at the Sun?' a two person exhibition by American artist Michael Joo (b.1966) and British artist Damien Hirst (b.1965). The exhibition opens on 1 May and continues through 14 August 2010.
'Have You Ever Really Looked at the Sun?' is a unique collaboration between the two artists, who met in Cologne in 1991 and have remained close friends since that time. Engaged in a continuous, twenty-year discourse about their individual artistic practices, this marks the first time Joo and Hirst have worked together to realise a full-scale joint exhibition. 'Have You Ever Really Looked at the Sun? 'will feature new, especially conceived sculptures and installations, as well as seminal paintings and sculptures from Joo and Hirst.
Since gaining international attention after showing in the exhibition 'Some Went Mad, Some Ran Away' at the Serpentine Gallery in London in 1995, Joo has employed a highly personal language in the creation of his art to express ideas about identity, nature and the body. In key works like 'Improved Rack (Elk #18) (2010), a wall-mounted sculpture of elk antlers Joo plays on the traditional presentation of the hunter's trophy by cutting the antlers into segments and extending them with metal rods. Other major works are a painted pink, bronze life-size sculpture of a zebra, Doppelganger (Pink Rocinante) (2009) and a new group of colorful paintings of quartz crystals on shaped aluminum panels. Joo will also premier a sculptural homage to Martin Kippenberger involving a framework of ice and prehistoric Irish Elk antlers.
In dialogue with Joo's works, Hirst brings together signature sculptures and paintings for which he has become known. Included in the exhibition are 'The Incredible Journey' (2008), a zebra suspended in formaldehyde in a white painted steel tank and 'The Black Sheep With The Golden Horns' (divided) (2009), another major formaldehyde work shown here for the first time. Also on view is Har Megiddo (2008), a monumental circular fly painting as well as The Dark Continent (2010), a stainless steel medicine cabinet stacked with black pills, behind glass.
