FRANKFURT.- In the context of examining the St鋎el’s nineteenth-century holdings in view of the imminent reopening or new presentation of the museum’s collections respectively, an important painting by the French academic painter Jean-L閛n G閞鬽e (1824–1904) has been discovered. The picture shows Saint Jerome reclining against a lion, his traditional attribute. After its comprehensive restoration, the painting will be on display for the first time as part of the St鋎el’s new permanent “Modern Art” (1800-1945) presentation. The work was last exhibited in London in 1882.

Jean-L閛n G閞鬽e ranks among the most successful artists of the second half of the nineteenth century. His pictures are to be found among the exhibits of the most prominent American, British and French museum’s permanent presentations. To date, the collections of the Hamburger Kunsthalle were the only ones in Germany which boasted works by this artist which have become objects of special attention again in recent years. The G閞鬽e retrospective shown in the Getty Museum in Los Angeles, the Mus閑 d’Orsay in Paris, and the Museo Thyssen-Bornemisza in Madrid in 2010/11 testifies to the great importance attached to this star of the nineteenth-century salon again today.

Jean-L閛n G閞鬽e’s Saint J閞鬽e was donated to the St鋎el by Otto Hauck’s heirs in 1935. In the turmoil of the Nazi era and World War II, the painting entrusted to the museum by the banking family was not inventoried or described in detail, but merely assigned an access number. In the course of the current preparations for the reopening or new presentation of all the museum’s collections, Dr. Felix Kr鋗er, head of the modern art department, recognized the painting as a capital work by G閞鬽e. The work has been carefully restored and conserved by Christiane Haeseler in the St鋎el Museum’s restoration workshop in the last months. When the museum’s completely new presentation “Modern Art (1800–1945)” in the renovated garden wing of the old museum building will be opened on November 17, 2011, G閞鬽e’s Saint J閞鬽e will be accessible to the public for the first time again.

The painting Saint J閞鬽e dates from 1874, the peak of G閞鬽e’s career. Unlike no other artist, G閞鬽e combined technical perfection with the sensuous atmosphere of sentimental historical painting and the clich閟 of the Orient. The likeness of names – J閞鬽e and G閞鬽e – allows an ironical reading. The rediscovered painting reveals a technical mastership that does not even stop at the saint’s grimy fingernails and the dirt under his feet.