Auschwitz prisoner and photographer Wilhelm Brasse dies at 95 in southern Poland

The First Art Newspaper on the Net    Established in 1996 Wednesday, June 18, 2025


Auschwitz prisoner and photographer Wilhelm Brasse dies at 95 in southern Poland
This photograph provided by the State Museum Auschwitz-Birkenau in Poland shows the identity photographs of an Auschwitz inmate, a part of the Nazi German effort to document their activities at the camp. Among those who took such pictures was Wilhelm Brasse, a Polish inmate who was put to work taking such photos because he was a professional photographer before the war. Brasse died Tuesday, Oct. 23, 2012 at the age of 95. AP Photo/Auschwitz Museum, File.

By: Vanessa Gera, Associated Press



WARSAW (AP).- The images are haunting: naked and emaciated children at Auschwitz standing shoulder-to-shoulder, adult prisoners in striped garb posing for police-style mug shots.

One of several photographers to capture such images, Wilhelm Brasse, has died at the age of 95. A Polish photographer who was arrested and sent to Auschwitz early in World War II, he was put to work documenting his fellow prisoners, an emotionally devastating task that tormented him long after his liberation.

Jaroslaw Mensfelt, a spokesman at the Auschwitz-Birkenau state museum, said that Brasse died on Tuesday in Zywiec, a town in southern Poland.

Brasse, who was born in 1917 and was not Jewish, was sent to Auschwitz at 22 as a political prisoner for trying to sneak out of German-occupied Poland in the spring of 1940. Because he had worked before the war in a photography studio in Katowice, in southern Poland, he was put to work in the camp's photography and identification department.

The job helped to save his life, enabling him to get better treatment and food than many others. Because he worked with the SS, the elite Nazi force, he was also kept cleaner "so as not to offend the SS men," he recalled in an Associated Press interview in 2006.

After the war, he had nightmares for years of the Nazi victims he was forced to photograph. Among them were emaciated Jewish girls who were about to undergo cruel medical experiments under the infamous Dr. Josef Mengele.

"I didn't return to my profession, because those Jewish kids, and the naked Jewish girls, constantly flashed before my eyes," he said. "Even more so because I knew that later, after taking their pictures, they would just go to the gas."

In the AP interview, Brasse said believed he took about 40,000 to 50,000 of the identity photographs that the Nazis used to register their prisoners — part of the Nazi obsession with documenting their work. These pictures are among some of the notorious images associated with the camp.

Brasse was not alone in documenting prisoners. Mensfelt said there were other photographers as well and that an estimated 200,000 such pictures were probably taken. Most were destroyed.

Now it's difficult to say which of the surviving photos were Brasses's because they generally did not carry the photographer's name. Some he remembered and was able to identify later.

At the war's end, with the Soviet army about to liberate Auschwitz, the Germans ordered the photos destroyed. Brasse and others refused the order and managed to save about 40,000 of them.

Though Brasse early on in his captivity was the only professional photographer in the SS documentation office, eventually some other prisoners took over taking ID photos. Brasse was given new assignments, including taking the pictures of prisoner tattoos and pictures for Mengele.

Mengele ordered pictures of various prisoners he planned to perform his experiments on, including Jewish twins, dwarfs, stunted people and people with noma, a disease common in the malnourished that can result in the loss of flesh.

"I had to take close-ups. He said sometimes you will be able to see the whole bone of the jaw, and that I have to do close-ups of it. I did the close-ups, in harsh light, and you could see to the bone," Brasse said. "Later, my boss called me in, and Dr. Mengele expressed his happiness with the pictures I'd taken, that I'd taken them just as he had needed them to be done."

Brasse said he never had the right to refuse what Mengele or the other Germans demanded.

"It was an order, and prisoners didn't have the right to disagree. I couldn't say 'I won't do that,'" he recalled in 2006. "I only listened to what I had to do and because I didn't harm anyone by what I was doing, I tried to address them politely."


Copyright 2012 The Associated Press.










Today's News

October 26, 2012

"David Hockney: A Bigger Picture" at Museum Ludwig features more than 150 works

French record for René Magritte with the sale of "La Grande Table" for $6.6 million

Städel Museum acquires Vilhelm Hammershøi's Interior. Strandgade 30 (1901)

ICE returns stolen and looted archeological art and antiquities to Mexico

Exquisite Symbolist painting leads 19th Century European Art Auction at Christie's

Soundtrack to history: 1878 Edison audio unveiled at the Museum of Innovation and Science

Germany opens long-awaited memorial to the Gypsies who were killed by the Nazis

New body of work by British artist Bruce French opens at Scream in London

New Museum opens major exhibition devoted to German artist Rosemarie Trockel

German artist Max Neumann's first solo exhibition in New York opens at Bruce Silverstein

Auschwitz prisoner and photographer Wilhelm Brasse dies at 95 in southern Poland

Dan Perjovschi's wit and sociopolitical critique in new exhibition at Lombard Freid

"1934: A New Deal for Artists" exhibition opens at the New York State Museum in Albany

Third solo exhibition with Joseph Smolinski opens at Mixed Greens

Property from the Estate of San Francisco socialite John Traina on offer at Bonhams

Swann Galleries' Rare & Important Travel Posters Sale announced

Ricardo O'Nascimento & Ebru Kurbak present "Feather Tales II" at LABoral

The Andy Warhol Museum announces the appointment of Kilolo Luckett as Director of Development

Scottish archive and library of legendary big game hunter makes £652,088 at Bonhams

The Whitney announces $1 million grant from the Keith Haring Foundation




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor:  Ofelia Zurbia Betancourt
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful