Martin Wong and David Hare featured art in Elli Buk Collection
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Martin Wong and David Hare featured art in Elli Buk Collection
David Hare, (American, 1917-1992), Naked Sing Clarity. Oil on masonite;, 36 x 48 inches



DEDHAM, MASS.- Grogan and Company Fine Art Auctioneers and Appraisers is pleased to announce The Elli Buk Collection, one of the largest and most comprehensive collections of Scientific Instruments ever assembled, also includes a nice selection of Contemporary works of art by New York artists. Works by SoHo artists Martin Wong and David Hare can be found amongst the microscopes and telescopes; photographs, posters and ephemera, early projectors, still and movie cameras; televisions and radios; as well as numerous objects from our industrial past.

Elli Buk (1949-2012) was legendary in the world of collectors who knew him as a self-made, prolific collector, curator and expert on scientific instruments and the history of technology. Over a period of forty years, Elli exercised his passion for acquiring objects. E. Buk Antiques, a SoHo fixture for many years, was in the epicenter of the 1960's and 1970's art scene. Elli's love of the arts lead him to support and encourage many emerging artists, including Martin Wong, who held his first solo exhibition at Buk's Spring Street location and Surrealist David Hare, who's studio was right above Elli's shop.

Elli grew up in Brooklyn, where he was exposed to opera, music and art, however, it was his love of biology, chemistry and physics that inspired him to begin collecting. In 1978, Elli opened E. Buk Art and Antiques at 151 Spring Street in SoHo where his store window become a highlight for passersby. Science fiction writer, William Gibson included a reference to Elli's window in a blog he wrote in 2001 for the National Post. Titled "Mr. Buk's Window", Gibson describes Elli as "a marvelously idiosyncratic antiques dealer in SoHo....Gazing into E. Buk's window, for me, has been like gazing into the back reaches of some cave where Manhattan stores it's dreams." Elli rented objects from his collection to television shows, Hollywood movies, advertising agencies, fashion shoots, and store windows. He loaned his prized objects to various exhibitions that wanted to celebrate the artifacts that built their industry and the collection has been written up in numerous publications including The New Yorker and Architectural Digest.

"The first thing visitors saw when they entered his shop," explained Nili Weissman, executrix of the Estate, "Was View of the Mohawk from Fungeson's Bridge, an oil on canvas by 19th century New York painter, Manneville Elihu Dearing Brown." Elli's art collection included more contemporary works than 19th century landscapes. The highlight of the collection is four 18 x 24 inch sign language paintings by realist Martin Wong, titled Silence, Voices, Money, Danger. The sign language paintings, which are estimated at $12,000-15,000, are illustrated in Sweet Oblivion, The Urban landscape of Martin Wong, published in 1989 by New Museum Books. A large selection of sculptures, paintings and drawings acquired directly from the artist, David Hare include Naked Sing Clarity, a 36 x 48 oil on canvas, estimated at $3,000-5,000 and Seated Female, a 82 ½ inches tall metal and plaster sculpture, estimated at $5,000-7,000, as well as the artists sketchbooks and a collection of photographs of his works. Mike Leaf's papier mache sculpture Spring Has Sprung, captures the joy of winter's end and bears and $800-1,200 estimate, while Underdog, an oil on plastic estimated at $500-700 was created by street artist Ernest Rosenberg, who can be found featured in a YouTube video. One of the more unusual items, Dean, an eight foot, scrap metal, folk art tin man created in the 1950's by George Dean, a tinsmith from Terre Haute, Indiana bears a presale estimate of $5,000-10,000. "Dean" is included in Archie Green's book 'Tin Men' published by the University of Illinois Press in 2002.

The earliest developments in the motion picture industry are represented in the sale by a Victorian zoetrope with a collection of animated strips and five mounted photographs of Muybridge's print, Animal locomotion. The zoetrope and the photographs are purported to have come from the collection of Thomas Eakins. Another highlight is a very rare set of Eadweard Muybridge zoetrope strips, titled "Attitudes of Animals in Motion", copyright 1882, in their original cylinder. The set, which was illustrated in Eadward Muybridge, The Father of the Motion Picture, by Gordon Hendriks, is estimated at $5,000-15,000. Eadweard Muybridge's photographic study of animals in motion is what led to the motion picture industry. Thomas Eakins was teaching at the Pennsylvania Academy of Fine Art while Muybridge was at the University of Pennsylvania. Eakins was so taken with Muybridge's work, that he is said to have created his own Zoetrope and used it in his lectures at the Pennsylvania Academy of Fine Art. In addition to painting, Eakins was known to have been a photographer as well.

Works on paper offerings include an important assemblage of the original Morris & O’Connor Architectural drawings, blueprints and plans for the R.M.S. Queen Mary, estimated at $5,000-20,000; while Beatles fans will find a lot of Magazines and Ephemera related to John Lennon and Yoko Ono. Elli's vast collection of cameras and photography related items includes glass plate negatives, early photographs, daguerrotypes and tintypes. Adolf Fassbender's bromoil gelatin silver print, Total Eclipse, taken in 1925, bears an estimate of $1,000-1,500.

Another feature of the collection is an impressive assortment of Victorian and early 20th century industrial items that lend itself to the growing "Steampunk" or "Repurposing" design movement. Designers refurbish items from the Victorian and Industrial past, such as brass, iron, wood and leather, to create new designs that balance form and function. Early machinery with gears and levers abound throughout the collection and will surely inspire collectors of this cutting edge movement.

The Elli Buk Collection exhibition will begin on Saturday, April 20th and run through Wednesday, April 24th from 9 a.m. - 4p.m. The collection will be auctioned in four sessions beginning Thursday, April 25th. "Anyone interested in the history of science and technology, the Industrial Revolution and manufacturing history should not miss this opportunity," states Grogan, "It is unlikely that we will see another comprehensive collection like this in our lifetime." A fully illustrated catalogue is available on-line at www.groganco.com.










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