New Museum presents first solo museum presentation of work by Erika Vogt in the Lobby Gallery
The First Art Newspaper on the Net    Established in 1996 Thursday, December 26, 2024


New Museum presents first solo museum presentation of work by Erika Vogt in the Lobby Gallery
Installation view of Erika Vogt: Stranger Debris Roll Roll Roll at the New Museum. Photo: Courtesy New Museum, New York. Photo: Benoit Pailley.



NEW YORK, NY.- “Stranger Debris Roll Roll Roll” is the first solo museum presentation of work by Erika Vogt. Vogt uses a range of media and techniques in order to explore the mutability of images and objects. Within her installations, she fuses elements of sculpture, drawing, video, and photography to produce multilayered image spaces. She challenges prescribed art-making systems, conflating and confusing their logic, as sculptures take on the properties of drawing and photographs take on the nature of film. Building on her background in experimental filmmaking, Vogt’s visually dense videos combine both still and moving images, digital and analog technologies, and playfully incorporate drawings and objects from her previous projects. In her recent work, exemplified by installations such as Notes on Currency (2012), The Engraved Plane (2012), and Grounds and Airs (2012), Vogt took as her subject the ritual use and exchange of objects, such as currency, and investigated the empathetic relationship between objects and people.

At the New Museum, Vogt continues this recent investigation in a new installation for the Lobby Gallery, entitled Stranger Debris Roll Roll Roll (2013). For this work, the artist composed a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris. Some of the littered forms suggest cast-off relics; others evoke tools of an indeterminate functionality. A series of vertically aligned pulleys levitate these sculptural forms above the floor, demarcating the gallery space as a volumetric drawing through which the viewer can navigate. Included within this surreal landscape are three of Vogt’s most recent videos, in which objects are exchanged. Graphic aspects of the videos are echoed in the installation itself, creating a tension between the objects and images on screen and their deployment as physical presences within the space of the gallery.

Erika Vogt (b. 1973 East Newark, NJ) received her BFA from New York University and her MFA from California Institute of the Arts. Vogt has had solo exhibitions at Overduin and Kite, Los Angeles, (2011) and Simone Subal Gallery, New York, (2012). Her work has been included in a number of group exhibitions at venues including the Whitney Museum of American Art, New York (as part of “2010,” the 75th Whitney Biennial; 2010); Foam, Amsterdam, the Netherlands (2011); San Francisco Museum of Modern Art (2011); Henry Art Gallery, Seattle (2011); Portland Institute of Contemporary Art, OR (2012); and the Hammer Museum, Los Angeles (as part of the Los Angeles Biennial “Made in L.A. 2012”; 2012). She lives and works in Los Angeles.

“Stranger Debris Roll Roll Roll” is curated by Jenny Moore, Associate Curator, and Margot Norton, Assistant Curator.










Today's News

June 24, 2013

Putin, Merkel visit exhibition of treasures taken by the Red Army at the end of World War II

"Collecting Gauguin: Samuel Courtauld in the '20s" opens at the Courtauld Gallery

Startlingly real work in Lifelike examines artists' enduring fascination with Realism

Art gallery's latest MoMA exhibition captures the imagination of Western Australia

From Chippendale to China's finest craftsmen Mallett at Masterpiece London

First exhibition of the Still House Group in Europe opens at Galerie Rodolphe Janssen

Medici villas, monuments from North Korea's medieval city of Kaesong join UNESCO list

New Museum presents first solo museum presentation of work by Erika Vogt in the Lobby Gallery

Courtauld's MA Curating the Art Museum programme opens "Imagining Islands: Artists and Escape"

One of the world's most valuable, single-owner Ferraris to be sold to aid charitable causes

Remarkable Asian antiques & Kenyan rhinoceros horns highlight International Maynards auction

Video games and experimental forms of play are new permanent exhibitions at ZKM Museum

Oregon artists are celebrated in new Jordan Schnitzer Museum of Art exhibition

Dayton Art Institute's summer exhibitions celebrate love of sports and competition

Universal human aspirations revealed in "Secret Messages" at the Nelson-Atkins Museum of Art

Catastrophe! Ten Years Later: The looting and destruction of Iraq's past at the Royal Ontario Museum

LABoral in Gijon presents winning project from production grant

Neue Berliner Raume presents the exhibition project Emptying flags by artist Sonja Hornung

Sam Moyer, Mika Tajima and Graham Collins at Halsey McKay Gallery

La Criée centre of Contemporary Art presents the first solo exhibition in France by Mahony




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful