Chrysler Museum acquires 19th century glass cameo plaque created by George and Thomas Woodall

The First Art Newspaper on the Net    Established in 1996 Wednesday, July 3, 2024


Chrysler Museum acquires 19th century glass cameo plaque created by George and Thomas Woodall
The Chrysler Museum of Art’s acquisition of The Attack marks the reunion of this piece with its companion, The Intruders, from which it has been separated for decades.



NORFOLK, VA.- The Chrysler Museum of Art today announced the acquisition of an exceptional 17-inch glass cameo plaque created by George and Thomas Woodall. Entitled The Attack, the piece dates from the late 19th century and is the Woodall brothers’ last artistic collaboration. English cameo glass was some of the most expensive glass ever produced. Large plaques like The Attack were difficult and time-consuming to create and a piece the size and quality of The Attack is especially rare.

The Chrysler Museum of Art’s acquisition of The Attack marks the reunion of this piece with its companion, The Intruders, from which it has been separated for decades. When the Museum acquired The Intruders in 1999, the pair of works had already been separated for many years. The Museum’s glass collection, considered to be one of the finest in the world, also includes a set of pendant vases by the Woodall brothers, Before The Race and The Race.

“The addition of this significant plaque enhances our outstanding collection of glass, and we’re excited to reunite these two long-separated works,” said Museum Director William Hennessey. “We’re looking forward to presenting these visually stunning masterpieces together in our expanded and renovated galleries opening in the spring of 2014.”

The Attack features a scene of a female figure dressed in diaphanous drapery fending off an “attack” by intruders—flying putti. The figures are under a canopy of drapes, with landscapes framing classical architectural elements. The Attack and The Intruders represent the height of the Woodall brothers’ skill and contributed considerably to their reputation as England’s most important carvers of cameo glass. Remarkably, photographs of the work in process survive and provide important historical documentation of the intricate process of cameo carving.

The Chrysler Museum is currently undergoing a renovation and expansion project that is enabling the Museum to completely reinstall its collection and develop new exhibition and interpretive strategies. The acquisition of The Attack marks the continuing growth of the Chrysler's nationally recognized permanent collection.










Today's News

July 13, 2013

Fangio's Mercedes becomes most valuable car ever sold at auction: $29,650,095

Lennon's Ferrari smashes records at Bonhams auction at the Goodwood Festival of Speed

Switzerland returns pre-Columbian treasure to Peru after person tried to sell it over the Internet

Art Institute of Chicago receives nearly 1,000 works of art in single gift from Dorothy Braude Edinburg

Experts row over 'earliest' Chinese inscriptions find at the Zhuangqiaofen archaeological site

Mary, Blinky, Yay! Mary Heilmann and Blinky Palermo in dialogue at Kunstmuseum Bonn

Fire ravages Paris mansion once home to Voltaire; Murals, paintings and frescoes succumbed to the flames

The Knoxville Museum of Art presents Thornton Dial's "Thoughts on Paper" exhibition

On Deck: Group exhibition referencing baseball terminology opens at Marc Straus

Nationalmuseum announces acquisition of portrait by Adolf Ulrik Wertmüller

"Paper Weight: Genre-Defining Magazines 2000 to Now" opens at Haus der Kunst

Mark Leckey's "The Universal Addressability of Dumb Things" opens at De La Warr Pavilion

Chrysler Museum acquires 19th century glass cameo plaque created by George and Thomas Woodall

Strike shuts Mont-Saint-Michel abbey for third day

Australia's Barrier Reef slips into 'poor' health

Master Paintings Week comes of age

International group exhibition organised by Sao Paulo-based curator Adriano Pedrosa opens at White Cube

Works from ars viva prize to young Germany-based visual artists presented at Kunstmuseum Liechtenstein

The Dayton Art Institute partners with Dayton Visual Arts Center to present exhibition

Space is the Place: Contemporary art meets science fiction at Den Frie Centre of Contemporary Art




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful