Solo presentation of works by Ann Aspinwall opens at Garvey Simon Art Access
The First Art Newspaper on the Net    Established in 1996 Friday, November 29, 2024


Solo presentation of works by Ann Aspinwall opens at Garvey Simon Art Access
Tessuto Veneziano (b), 2010, etching and chine collé on Japanese papers, ed. 10, 15 x 16.75 inches (sheet size).



NEW YORK, NY.- Garvey Simon Art Access announces a solo presentation in Gallery B of recent prints by New York artist and master printer, Ann Aspinwall. The exhibition runs from December 17 – January 3, 2015. A post-holiday coffee reception will be held on Saturday, December 27, 12-2pm. The artist will be present.

Two recent suites of small edition prints are featured in this intimate show. Each work is currently priced at less than $1,000 (unframed).

Tessuto Veneziano began conceptually in 2000, whereby the artist (living in Venice, Italy at the time) drew one freehand line as straight as possible. Under that line, she drew another, following as closely as she could the one above it. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Ten years later, Aspinwall returned to this project. Reexamining it called to mind the strong influence of Venice on her art. The texture of the work was reminiscent of water and fabric. Unable to decide on one color for an edition, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means “Venetian textile or texture.”

Aspinwall’s newest screenprints: Fortuny I, II, III, celebrate the colors and materials of painter, inventor, photographer, and fashion designer, Mariano Fortuny (1871–1949). The method of drawing was similar to that of the Tessuto Veneziano series, but here the line work is much larger and looser, suggestive of pleats and undulations. The lines often cluster together nearly in knots, or spread apart allowing the space between to come to the surface.

“Each of the three prints is a diptych of vertical rectangles in bold, vibrating colors. [They invite] a closer look, which reveals a nuanced and kinetic sense of shimmer and fold. The colors and lines are hot, electric and chemical—almost post-photographic, a flash akin to an X-ray.” - Peter Power, Chair of the Department of Print Media, School of the Art Institute of Chicago

Ann Aspinwall (b. 1976 in New York) received her MA in Art History from the University of St Andrews in Scotland in 1998. She studied printmaking at studios in Scotland and Italy. She previously worked as a printer at Pace Editions in New York and as a Print Specialist at the New York Public Library. In 2012 Aspinwall and Knut Willich founded Aspinwall Editions, a fine art print publisher and print studio with facilities in New York and Rheine, Germany. Her work is in the permanent collections of the Museum of Fine Arts, Boston, the New York Public Library, and the Smith College Museum of Art. She lives and works in New York.










Today's News

December 24, 2014

Jeff Koons sculpture pulled from the Centre Pompidou in Paris over plagiarism claims

The history of photo sharing explored in new library exhibition highlighting the social side of photography

The Norton Museum of Art goes Green, exhibiting 'The British Passion for Landscapes'

Bristol-Myers Squibb donates N.C. Wyeth painting to Brandywine River Museum of Art

Napoleon's letter of surrender to go on display alongside previously unseen letter from the Duke of Wellington

Renowned photographer Sebastiao Salgado issues environmental call to arms

First major exhibition of Allen Jones' work in the UK since 1995 on view at the Royal Academy of Arts

Abbot Hall Art Gallery to celebrate Georgian architecture with Canaletto exhibition in 2015

Dayton Art Institute shows special exhibition 'Deco Japan: Shaping Art and Culture, 1920-1945'

George Eastman House unveils new Photographic Process Video Series on YouTube channel

BBC antiques series Flog It presented by Paul Martin comes to RAF Museum London

Jewels no money can buy by Mario and Gianmaria Buccellati on show at the Pitti Palace in Florence

Grimaldi Forum announces 'From Chagall to Malevich, the revolution of the avant-garde'

Olympics: Long lost Freeman bodysuit believed found

'Out of the Circle' celebrates 50 years of dance and choreography in Israel

New exhibition at the Virginia Museum of Fine Arts emphasizes new acquisitions

The Mexican Museum announces new Officers for 2015

Artist who pioneered digital design for children's books 20 years ago is the focus of museum exhibition

Digital painting transforms South Carolina history into art

PAD Paris announces list of participating galleries

Solo presentation of works by Ann Aspinwall opens at Garvey Simon Art Access

António Horta-Osório appointed Chairman of the Wallace Collection




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful