SFMOMA presents unprecedented statewide tour of acclaimed photography collection
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SFMOMA presents unprecedented statewide tour of acclaimed photography collection
Shomei Tomatsu, Eiko Ôshima, Actress in the Film Shiiku (Prize Stock), 1961, printed 2003; gelatin silver print; 10 13/16 x 16 13/16 in. (27.46 x 42.7 cm); Collection SFMOMA, promised gift of the Kurenboh Collection; © Shomei Tomatsu – Interface.



SAN FRANCISCO, CA.- The San Francisco Museum of Modern Art presents a statewide tour of two exhibitions drawn from its internationally acclaimed photography collection that is travelling to six cities throughout California. Venues include Bakersfield, Riverside, Sacramento, Santa Rosa, and Stockton, with an additional location to be announced. An exhibition tour of this scale within California is unprecedented in the museum’s history, providing greater access to its collection and enabling SFMOMA to collaborate with museums throughout the state.

“It is a tremendous privilege to make these photographs available to a wide range of new audiences and forge fruitful relationships with institutions throughout the state,” says Corey Keller, SFMOMA curator of photography, who is organizing the tour. “We are truly grateful to our sponsors, particularly The James Irvine Foundation, for their generosity and foresight in making this extraordinary opportunity possible.” Each venue’s exhibition costs are generously funded by a grant from The James Irvine Foundation and by Bank of America.

The tour’s exhibitions—Photography in Mexico from the Collection of SFMOMA and The Provoke Era: Japanese Photography from the Collection of SFMOMA—are a part of the museum’s extensive array of off-site programming taking place while its building is temporarily closed for expansion construction from the summer of 2013 until early 2016. Featuring the photographic traditions of Mexico and Japan, the exhibitions highlight particular strengths of SFMOMA’s holdings and explore themes resonant with California’s diverse communities.

SFMOMA is distinguished as one of the first museums in the United States to recognize photography as an art form, and for more than 75 years, it has been home to innovative scholarship about the medium as well as in-depth exhibitions of the practice. Drawn from SFMOMA’s collection of more than 16,000 photographs—its largest collection of objects—this statewide tour of exhibitions expands opportunities for the public to encounter and understand the history of photography.

Photography in Mexico from the Collection of SFMOMA
SFMOMA has a longstanding commitment to collecting and presenting works of Latin American modernism. Featuring approximately 100 photographs, Photography in Mexico reveals a distinctively rich and diverse tradition of photography in Mexico. The show begins with works from the medium’s first artistic flowering in the wake of the Mexican Revolution (1910–20) and goes on to explore the explosion of the illustrated press at midcentury; the documentary investigations of cultural traditions and urban politics that emerged in the 1970s and 1980s; and more recent considerations of urban life and globalization. Photography in Mexico includes work by Lola Álvarez Bravo, Manuel Álvarez Bravo, Manuel Carrillo, Alejandro Cartagena, Graciela Iturbide, Elsa Medina, Pablo Ortiz Monasterio, Edward Weston, and Mariana Yampolsky, among others. Many of the photographs in the exhibition are recent gifts from Los Angeles collectors Dan Greenberg and Susan Steinhauser.

Photography in Mexico will travel to the the Haggin Museum, Stockton (April 16–June 14, 2015).

The Provoke Era: Japanese Photography from the Collection of SFMOMA
SFMOMA is home to the largest collection of Japanese photography in the United States and has been actively acquiring the work of internationally recognized artists including Masahisa Fukase, Eikoh Hosoe, Daido Moriyama, and Shōmei Tōmatsu since the 1970s. The Provoke Era begins with the avant-garde tradition that emerged in Tokyo in the 1960s and 1970s, and explores its influence on the diverse photographic practice that continues today. The tumultuous period following World War II proved fertile ground for a generation of Japanese photographers who responded to societal upheaval by creating a new visual language dubbed “Are, Bure, Boke”—rough, blurred, and out of focus. Named for the magazine Provoke, which sought to break the rules of traditional photography, this exhibition traces how Japanese photographers responded to their country’s shifting social and political atmosphere.

The Provoke Era will travel to the California Museum of Photography, UC Riverside (March 28–August 15, 2015).










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