ATHENS, GA.- The Georgia Museum of Art at the University of Georgia will host the exhibition “Chaos & Metamorphosis: The Art of Piero Lerda” Feb. 14 to May 10, 2015. Lerda’s art draws on his personal experiences growing up in Italy during World War II and his interest in the eternal battle between chaos and order.

Born in the Piedmont region of Italy in 1927, Lerda began learning under painter Vincenzo Alicandri, who taught him how to combine traditional and contemporary ideas and techniques. The violence Lerda witnessed as a student in Caraglio and Torino at the end of World War II influenced both his belief in existentialism and his work, which often portrays the hunting and trapping of men.

In 1957, Lerda became director of the United States Information Service (USIS) library in Torino. The position gave him access to American literature and culture, which he shared with his friends and colleagues. Simultaneously, he continued to work on his art and had his first solo exhibition in 1962.

Laura Valeri, associate curator of European art at the museum and curator of this exhibition, said, “There has never been an exhibition of Lerda’s work in the United States, so we are very excited to be sharing this unique artist with an American public. Also, we are publishing the first extensive catalogue about him in English, which includes translated passages of his fascinating philosophical writings.”

Throughout Lerda’s career, he experimented with various types of materials, particularly collage. In the 1950s and 1960s, he used India ink and wax resist and focused on human violence as a theme. By the mid-1960s, he began incorporating kites and children’s toys in his art. These works seem more optimistic, yet the kites represent only an illusion of freedom, as they are unable to escape the chaotic world. His “merry-go-round cities” depict a world reconstructed by children after being destroyed by adults. His final series of works, which he created from the 1990s until his death in 2007, examines themes of chaos, creation and metamorphosis.

Lerda’s wife, Valeria Gennaro Lerda, attended UGA on a Fulbright Scholarship in 1974–75 (and again in 1978–79) and played a major role in her husband’s work making its way into the collection of the museum. Gennaro Lerda and Valeri will deliver a joint gallery talk on Feb. 26 at 5:30 p.m. Other events associated with the exhibition include a Family Day (“Love and Lerda”) on Feb. 14 from 10 a.m. to noon, 90 Carlton: Winter (the museum’s quarterly reception; $5 nonmembers, free members) on Feb. 20 at 5:30 p.m., and a tour by Valeri on March 18 at 2 p.m. Events are free and open to the public unless otherwise specified.