LONDON.- Christie’s February week of Post-War and Contemporary Art auctions in London resulted in a combined total of 131,193,200/$200,912,575/€177,393,713. The successes of the Evening and Day Auctions demonstrated an appetite for the highest quality work from bidders around the world, and created 9 artist records across the week’s auctions.
Francis Outred, Chairman and Head of Post-War & Contemporary Art, Europe, Middle East, Russia, India, says: It has been another very strong week in the life of the Post War and Contemporary Art market. The global market emerged from its new year slumber to post very solid results across the board with 95% of works sold in both our Evening and Day auctions, an outstanding result by any measure. From the 1.4million raised in the auction to benefit the Goldsmiths gallery which helps to support this celebrated art school at the grass roots of our industry, to new world records for young and old from Theaster Gates to Howard Hodgkin and the spectacular results for Gerhard Richter during the week of his 83rd birthday, this has been a week to remember. The global battle to capture the stunning masterpiece Vierwaldsttter See at 14million chimed with his works achieving double estimate in the day auction. And of course it was a rare privilege to have an important Twombly blackboard in London, following the landmark price in New York in November at $69.6 million. Although these results don’t match the European record results of last February’s season at Christies which achieved 175million or the record for a single auction in Europe achieved at Christies in June 2012 of 132million, the outstanding sell through rates shows the solidity and consistency of this market.’
Post-War and Contemporary Art Evening Auction
The Post-War & Contemporary Art evening auction realised a total of 117,142,500 / $178,408,028 / €157,556,663 selling 95% by value with outstanding sell-through rates. The top price of the evening was paid for Cy Twombly’s Untitled (New York City), which sold for 19,682,500 / $29,976,448/ €26,472,96 (estimate in the region of 16million). Painted in New York in 1970, Untitled is one of the last of the famous series of ‘blackboard’ paintings that Cy Twombly made in a dramatic and distinctive burst of creativity between 1966 and 1971. A large, nearly two metre long, shimmering, grey-ground spatial-field of elegantly lilting and layered scrawl ‘handwritten’ over a highly painterly surface, the picture is a hypnotic and mesmerizing work that intentionally breaks down the borders between painting and drawing. This result follows the record-breaking sale of one of Twombly’s blackboards which sold for $69.6 million at Christie’s New York in November 2014. Other highlights include Gerhard Richter’s view of the famous Swiss Lake Lucerne, Vierwaldsttter See, 1969 which sold for 15,762,500 / $24,006,288 / €21,200,563 (estimate in the region of 10 million), Francis Bacon’s Study for a Head, 1955 (pictured left) which sold for 10,050,500 / $15,306,912 / €13,517,923 (estimate in the region of 9million), and following the success of Emin’s iconic My Bed, 1998, which achieved a world record price at auction quadrupling its pre-sale estimate to realise 2,546,500/ $4,351,969/ €3,178,032 (estimate: 800,000-1,200,000) in July 2014, Tracey Emin’s Exorcism of the Last Painting I Ever Made realised 722,500/ $1,100,368/ €971,763 (estimate: 600,000 – 800,000).The auction also saw three record prices for artists including Paolo Scheggi, Howard Hodgkin and Theaster Gates.
Gallery at Goldsmiths Auction
As part of the Day Sale, Christie’s hosted a special auction in support of the 2.8 million needed to create the Gallery at Goldsmiths. Works from Goldsmiths’ illustrious alumni including Antony Gormley, Damien Hirst, Sarah Lucas, Julian Opie, Sam Taylor-Johnson and Steve McQueen donated works in aid of raising money to build a new public gallery at Goldsmiths, University of London, a leading centre for teaching and research in the visual arts in the UK, realised a total of 1,442,625 / $2,198,561 / €1,937,445.
Highlights include Damien Hirst’s Ipratropium Bromide, 2004-2011 which sold for 542,500 / $826,770 / €728,578 (estimate: 250,000-350,000), Sarah Lucas’ Nahuiolin, 2013 realised 266,500 / $406,146 / €357,910 (estimate: 120,000-180,000) and Anthony Gormley’s Another Time XX, 2013 which sold for 194,500 / $296,418 / €261,214 (estimate: 120,000-180,000).
The new gallery will offer a unique, research-driven programme of exhibitions, projects and residencies which will reflect the dynamic culture of making and researching visual art at Goldsmiths by acting as a laboratory, generating new art works, new exhibitions and new research projects that have international recognition and significance.
Richard Noble, Head of the Department of Art at Goldsmiths: Through the overwhelming generosity of our illustrious alumni, Christie’s have achieved an incredible 1.4 million that will help us to create a new centre for contemporary art in south London. The Gallery’s future programme will reflect the dynamic cultural activity and legacy of Goldsmiths and will benefit a diverse audience including Goldsmiths students, local residents and the international art world. We are eternally grateful to all of the artists and collectors who contributed to the auction, and to Christie's for their ongoing support.
Post-War and Contemporary Art Day Auction
The strong sales during the Day Auction resulted in a total of 14,770,700 /$22,510,547 /€19,837,050, selling 95% by lot and 82% by value, and set 6 new artist records for Marcello Lo Guidice, Anya Gallacio, Fiona Rae, Steve McQueen, Tala Madani and Mike Bouchet. The top lot of the auction was Andy Warhol’s Golden Shoe (Julie Andrews Shoe), which realised 722,500/ $1,101,090/ €970,318 (estimate: 200,000-300,000) and was a new record for Warhol’s shoe series. Other highlights include Lucio Fontana’s Concetto spaziale, Teatrino which sold for 386,500/ $589,026/ €519,070 (estimate: 120,000-180,000) and Wade Guyton’s Untitled which achieved 350,500/ $534,162 / €470,722 (estimate: 200,000-300,000).
Cristian Albu and Rosanna Widen, co-heads of the Post-War and Contemporary Art Day Auction: “Building on the success of this week’s Post-War & Contemporary Evening auction, we are pleased with the Day Sale results of 14.8 million and in particular with the outstanding sell through rates reaching 95%, which matched those of the evening sale, as this continues to demonstrate the strength of the Post-War and Contemporary Art market, attracting competitive bidding from international collectors from Europe, South America, Asia and the Middle East. We are delighted with the result of Andy Warhol’s Golden Shoe (Julie Andrews Shoe), which fetched 722,500, a record price for any work by the artist from the 1950s. We continued to achieve strong results for great contemporary German painters such as Gunther Frg and Albert Oehlen. We are also pleased to have supported Goldsmith’s Gallery Project, achieving strong results for such prestigious alumni as Sarah Lucas whose Nahuiolin achieved 266,500 and Damien Hirst whose Ipratropium Bromide achieved 542,500.”
