LONDON.- The Fifth World is Douglas P閞ez Castro’s long overdue first solo exhibition in the UK. Breese Little introduces a new collection of oil paintings produced in the costumbristo style. Popular across Spanish-speaking cultures for several centuries, the genre was dominant in Cuba in the nineteenth century with typecasting scenes of the plantation system. P閞ez Castro transcribes the anachronistic tradition with characteristic humour, the effect of which he describes as like a ‘whip with jingle bells’. The exhibition title is developed from renowned twentieth century Cuban artist Wilfredo Lam’s (1902-82) painting The Third World (1965) in The National Museum of Fine Arts, Havana. P閞ez Castro identifies the work as a symbol of factions in Cuban society, which have grown into a state of mind where creativity and endurance come together to provoke reflection.

The small scale of the works form a picturesque album of Caribbean life, with colonial iconography sent up against a new era of contemporary communication. Stereotypes abound in idyllic tropical vignettes and dark colonial scenes with chintzy patterned borders. The Cuban people are represented as the Noble Savage, of proud nude stature in lush, overgrown settings implicit with sexual innuendo, as feather-wearing, hatchet-toting natives or dressed up in the starched attire of their colonial counterparts who hold forth in wigs, jackets and breeches. P閞ez Castro’s caricatures of regional identity are tempered with playful irony, offering critique by way of the ridiculous.

The Fifth World is P閞ez Castro’s fourth exhibition with the gallery, including Cannibal/Carnival (May-July 2012), a dual show with Elio Rodr韌uez, curated by Orlando Hern醤dez with kind thanks to the von Christierson Collection. P閞ez Castro’s work is represented extensively in public private collections across Europe and North America. Reference texts on P閞ez Castro’s work are available at Breese Little.

The exhibition is accompanied by a fully illustrated e-catalogue containing an interview with the artist and an introductory text by Miriam Metliss. Metliss is an Arts Manager and Client Liaison with expertise in the field of Art from Latin America and is currently Patrons and VIP Relations Manager at the Contemporary Art Society.

Douglas P閞ez Castro (b. 1972, Santo Domingo, Villa Clara, Cuba) lives and works in Havana, Cuba. The artist graduated from the Higher Institute for the Arts, Havana in 1996. Recent exhibitions include Cuban Forever, Pizzuti Collection, Columbus, Ohio (2014), Entre Tropicos, Caixa Cultural, Rio De Janeiro (2012), Queloides: Race and Racism in Cuban Contemporary Art, Mattress Factory Museum, Pittsburgh (2011), Without Masks, National gallery of Johannesburg (2010), The Shark and the Sardine, Sevando Gallery, Havana and METIS-NL, Amsterdam (2007), Es para no ser visto, Praxis Gallery, Lima (2004), Atravesados, House of America, Madrid (2002), The Politics of Difference, Generalitat Valenciana, Spain, Brazil and Argentina (2002), Caribbean Artists in the Centre for Contemporary Art CBK T.E.N.T, Rotterdam (2001), The Axiomatic Arcade, Track 16 Art Gallery, Santa Monica (2001).