SAN FRANCISCO, CA.- In her sixth solo exhibition at Hosfelt Gallery, Crystal Liu presents five new series of works on paper. Using a limited palate of black, blue and gold, Liu weaves poignantly distilled narratives of life's emotional landscape in a delicate balance between optimism and melancholy.

The protagonists in Liu's tales are the basic elements of earth and sky: stars, moons, water, and flora. Water plays a key role throughout, as mirror, rain, tears - sometimes threatening, other times purifying and nourishing. Night is the setting for dreams and golden stars that symbolize hope. Trees bend under the weight of gilded burdens but they are survivors, rooted and steadfast. White chrysanthemums represent grieving and loss in Chinese culture; they populate many of the works, spread across fields or floating in a glittering cosmos.

Crystal Liu's parents emigrated from China to Toronto, Canada, where she was born in 1980. Liu majored in photography at the Ontario College of Art & Design and received an MFA at the San Francisco Art Institute in 2005. She resides in San Francisco.

In his first solo exhibition in the United States, German painter Bernard Lokai presents two bodies of work - multi-paneled grids he terms "Landscape Blocks" and singular bold abstractions. Lokai uses the historical vernacular of painting - including the gestural brushstrokes of Abstract Expressionism and the spray paint of graffiti - to simultaneously absorb and disrupt traditions of landscape and abstract painting and to explore the question of how to make a picture.

The landscape grids are composed of eighteen 12 by 16 inch panels, each an isolated 'moment' that individually appears entirely abstract. Lokai paints the small panels on an ongoing basis in the studio, without a plan for where each will fit in the overall grid. At some point he gathers all of the small canvases and chooses which to combine into a set of eighteen. He thinks of each small painting as akin to a brushstroke, such that the overall final piece is thus 'painted' by paintings. Though each panel is strikingly distinct and sometimes wildly colorful, together they coalesce into an impression of landscape.

While the landscape grids explore a different idea on each panel, the larger individual abstract paintings combine multiple concepts on the same surface, wrestling with the meaning of painting today. Each painting evolves in a reactionary process, whereby the previous brushstroke and color influence the next. The works are pluralistically composed of elements and forms that reference the historical building blocks of a century of painting conventions. The most successful pieces, in Lokai's mind, are the ones that surprise him, that arrive at a place he never imagined could exist. His purpose is neither to express emotion nor reference any particular subject. They are what they are - color, brushstroke, form, composition. Their mood may be discordant or harmonious or both. They are visceral, trans-lingual and endlessly probing.

Bernard Lokai was born in 1960 in Bohumin, Czechoslovakia. After his parents escaped from the former Czechoslovakia Lokai grew up in Duren, Germany. He studied at the Kunstakademie Dusseldorf under Gerhard Richter and now resides in Dusseldorf and Berlin. His work is included in Triennale di Venezia at the Palazzo Albrizzi in Venice concurrent with the 2015 Venice Biennale.