DENVER, CO.- The Denver Art Museum announces Florence M黮ler, highly-regarded fashion and art historian, as the museum’s Avenir Foundation Curator of Textile Art, Curator of Fashion. M黮ler’s extensive experience with museums and collections in France and as an independent curator has led to the curation and contribution to more than 100 exhibitions worldwide, including the 2012 Yves Saint Laurent: The Retrospective exhibition for which the DAM was the exclusive U.S. venue.

Relocating from France to Denver, M黮ler will oversee the Neusteter Textile Collection, housed in the 7,500-sq.-ft. Textile Art Gallery on level six of the museum’s North Building. Upon joining the staff in September 2015, M黮ler will develop a strategic approach to expanding the current holdings to include costume and fashion of the 20th and 21st centuries.

“It’s a pleasure to welcome Florence back to Denver,” said Christoph Heinrich, Frederick and Jan Mayer Director at the DAM. “Her extensive experience and creative eye for exhibition content and design, as seen in the Yves Saint Laurent exhibition, makes her an outstanding addition to our team and to the Denver community. I especially look forward to her role in growing our collection in the area of fashion.”

Since the 1980s M黮ler has worked on numerous major exhibitions that have debuted in Europe, Asia and beyond, including Dior, the New look Revolution, Yves Saint Laurent Style, Impressions Dior, Costume Jewelry for Haute Couture, Belles en Vogue, Inspiration Dior, Mode et Art, Madeleine Vionnet, Mode et Libert閟 and many others. Most recently, M黮ler curated Esprit Dior which opened in Shanghai and then traveled to Tokyo and Seoul.

Other major projects include co-screenwriting for the film Histoire du Look, a series of five films about fashion from the Roman period to the present; serving as a fashion advisor for the LVMH Young Fashion Designer Award; consulting on an Air France uniform project, Photo: Florence M黮ler which included a comparative study of uniforms from major airlines around the world and advising on design before the creation of the new uniform designed by Christian Lacroix; creating a new inventory system for the Mus閑 du Textile et du Costume in Wesserling, France; conducting the first European digital database of a costume collection; and serving as the curator and later the director of the Union Fran鏰ise des Arts du Costume in the prestigious Mus閑 des Arts de la Mode in the Louvre.

“I am very pleased to work at the wonderful DAM, one of the major encyclopedic museums in the U.S. with an ambitious program,” said M黮ler. “This museum is served by leading architectural signatures and the most wonderful human and professional group of contributors. It's a perfect chance to express how textile and fashion are essential actors of our contemporary culture and for further understanding the history of civilizations."

When M黮ler was in Denver for the Yves Saint Laurent: The Retrospective exhibition in 2012, she also noted, “I was impressed by the stylish atmosphere of Denver during the launch of the Yves Saint Laurent exhibition and discovered a huge interest for creation among a very educated audience. Denver is a city full of fresh energy and vitality connected with its traditional roots."

Beyond her curatorial practice, M黮ler is an experienced writer, freelance journalist, consultant, juror and professor. She has worked with luxury fashion companies like Dior, L’Or閍l, Louis Vuitton, Gucci, Chanel and C閘ine. M黮ler has authored more than 20 publications and countless articles for museum catalogues and magazines such as SURFACE, High Fashion, art press, Beaux Arts Magazine, Mix(t)e and more. Since the 1980s, M黮ler has been a professor in the discipline culture of fashion at the French Institute of Fashion (IFM).

M黮ler has three times been awarded the Grand Prix du Livre de Mode (Grand Fashion book prize) by the University of Fashion in Lyon, France, for the publications Yves Saint Laurent, Excentriques and Baskets. M黮ler studied Worldwide History of Art and Archaeology at the 蒫ole du Louvre, Paris, and received a master’s of art history and archeology from the University of Paris.