Christie's announces a selling exhibition of ink paintings featuring works by Xue Liang and Jiang Hongwei
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Christie's announces a selling exhibition of ink paintings featuring works by Xue Liang and Jiang Hongwei
Jiang Hongwei (b. 1957), Peony Blossoms, 2013 (detail). Ink and colour on paper. Photo: Christie's Images Ltd 2015.



HONG KONG.- From 4 to 25 September, Christie’s will stage a private selling exhibition of Chinese contemporary ink paintings at their Hong Kong headquarters. Featuring over 40 works by Xue Liang and Jiang Hongwei, “Silent Songs” explores the rich history of ink and brush painting through the lens of two of its foremost contemporary practitioners.

The two artists emerge through similar trajectories: both were born in the second half of the 1950s in the eastern coastal province of Jiangsu, graduated from the Nanjing University of the Arts several years apart, and continue to live and work in Nanjing to this day. They refine the tradition known as the fine brush (gongbi), where meticulous brushwork and precise realism are prized, to convey a sense of tranquility that appeals to the contemporary viewer.

Highlights:

Xue Liang (b. 1956), Autum n Rivers ink and colour on paper, 2013.

Xue Liang’s surreal, phantasmagorical landscapes are created using a familiar visual vocabulary—rivers, trees and mountains—that populate the traditional Chinese landscape paintings. These archetypal forms are abstracted and purified to build a landscape of the mind. Graduating from the Nanjing University of the Arts in 1982, Xue has worked at the Jiangsu Chinese Paintings Institute since 1997 and serves as the director of the Fu Baoshi Memorial Museum.

Jiang Hongwei, Impressions of Jiangnan ink and colour on paper, 2012.
Inspired by Song Dynasty paintings, Jiang Hongwei celebrates the tranquility of nature by depicting flowers and birds with supreme elegance, while imbuing his paintings with a greyish tone to symbolise the passage of time. The artist applies layers of ink to paper, allows it to dry, and repeats the process to accumulate layers of colour. He entered the Nanjing University of the Arts in 1974, and continued to work and lecture at the University following his graduation in 1977. He currently serves as a researcher at the China Art Research Institute.

An artists’ talk will be held on Saturday, 5 September, 3pm – 5p










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