MIAMI, FLA.- This fall, Pérez Art Museum Miami will present new works by Dominican-born artist Firelei Báez in the artist’s first solo museum show, Bloodlines. On view from October 15, 2015 through Sunday, February 28, 2016, Báez’s Focus Gallery will feature a series of new paintings created specifically for PAMM.

“Báez’s new works embody a provocative investigation on decorative elements, textiles, hair designs, and body ornaments that explores methods of resistance in black communities within the United States and the Caribbean. Her exceptional paintings show a profound appreciation of diasporic histories, as well as new contemporary approaches towards painting.” said María Elena Ortiz, the exhibition’s curator and an assistant curator at PAMM.

These delicate works explore black culture, Afro-Caribbean folklore and the complexities of diasporic experiences from a female viewpoint, thereby claiming the relevance of the excluded historical perspective of women of color and reclaiming the female body and mind. Simultaneously, Báez places her subjects in a contemporary setting where skin tone is no longer a sufficient signifier of race.

Báez’s work reflects the cultural ambiguity of the Caribbean and the diaspora, as well as contradictions within the current discourse on gender, race, class and culture. With depth and a little humor and fantasy, she carefully examines the idea of self and superficial variants that designate femininity, including body shape, hair texture and clothing through her depiction of the female form and the motifs, colors and references contained in the cloth she so intricately paints.

Highlights from Firelei Báez: Bloodlines include:

• Man Without a Country (aka anthropophagist wading in the Artibonite River), 2014—A highly detailed work composed of over 144 small drawings that crafts parallels between obscure episodes of history and contemporary social struggles

• Patterns of Resistance, 2015—An arresting new series comprising blue and white drawings centered on a textile-pattern created by Báez, using different political references from social movements in the black diaspora in the Unites States and the Caribbean

• Bloodlines, 2015—A new series of portraits inspired by the tignon, a headdress which free women of color were obligated to use by law in18th century New Orleans