Series of re-imagined Staffordshire figures by Amy Douglas on view at Jack Hanley Gallery

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Series of re-imagined Staffordshire figures by Amy Douglas on view at Jack Hanley Gallery
The Art of Salmagundi, Our Dating Profiles Matched, 2015. Staffordshire ceramic with hand-painting, 7.5 x 12.6 inches.



NEW YORK, NY.- “The Art of Salmagundi” is the work of artist, Amy Douglas. For her first exhibition at the gallery, the artist presents a series of Staffordshire figures that have been re-imagined through skilled restoration and hand-painting. Douglas works only with figures that have been previously damaged and her interventions stem from the existing breaks, embracing an element of serendipity. Trained and employed as a porcelain restorer, Douglas’s craftsmanship is so meticulous that her alterations are not always immediately obvious which heightens the humorous impact of the figurines, deliberately causing the viewer to look twice. Titles for these sculptures have a tongue-in-cheek tone and are taken from literary and poetic sources such as Kate Tempest’s lyrics, which further transform the figurines from their original material.

“Salmagundi” is an old French and Middle English word referring to a miscellany or mixture of things. The artist works as a restorer of ceramics and decorative arts and she implements both modern and traditional techniques to seamlessly mend and playfully alter broken Staffordshire figures she finds. Staffordshire figures were prevalent features of 19th century British homes, bought at fairgrounds as “toys” and perched on the mantelpiece of the common man. Usually based on prints and pamphlets that advertised attractions at local country fair, these figures depicted curiosities, celebrities and heroes of the day. The artist retains the essence of their original appearance but intervenes and augments the figures to create new, subtly irreverent sculptures that are equal parts witty and absurd.

Douglas describes her work as a restorer as bringing “the pieces into our modern times, linking the past to the present. The titles give indications to present day scenarios or are just quotes and quips that I have heard. I am nosey and listen to what people say on the bus.” Guided by this principle, she uses these same techniques to infuse antiquarian, domestic objects with a mildly eccentric sensibility that affords them their own contemporary relevance.

Amy Douglas (b. 1971, United Kingdom) lives and works in Brighton, East Sussex. Recent exhibitions include Re-reanimate, repair, meld, mend at the Bluecoat Display Centre in Liverpool and Out of the Box at Into you in London. The artist has also participated in The Secret Garden Party at the Shuffle in Brighton, Maggs beneath the Covers at Maggs Bros. in London, Out of the Box at the No Format Gallery in London and Ink Spot Press in Brighton. Douglas has participated in The Tinker Box for the past three years, converting horse-boxes into a traveling gallery/stage and has worked as a restorer for over a decade. The artist attended City and Guilds of London Art School in 1998 and received her MA from Camberwell College of Art in 2011.










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