United Kingdom risks losing national treasures: Lawrence of Arabia's robes and dagger
The First Art Newspaper on the Net    Established in 1996 Wednesday, July 16, 2025


United Kingdom risks losing national treasures: Lawrence of Arabia's robes and dagger
Steel and silver dagger presented to Lawrence of Arabia by Sherif Nasir in 1917



LONDON.- Two of T.E. Lawrence’s most iconic possessions are at risk of being exported from the UK unless a buyer can be found to match the asking prices of £122,500 for his dagger and £12,500 for his robes.

Culture Minister Ed Vaizey has placed two separate temporary export bars to provide an opportunity to keep these national treasures in the UK.

Lawrence was considered one of the most recognisable figures of the First World War, following his work in the Middle East and his involvement in the Arab Revolt.

The archaeologist and diplomat worked closely with numerous Arab leaders and would always be seen in traditional Arab dress. These white silk robes were made in Mecca or Medina and he wears them in the 1919 oil portrait by Augustus John.

The steel and silver dagger was famously presented to him by Sherif Nasir in 1917 after the victory at Aqaba in Jordan, a scene featured in the Oscar-winning film Lawrence of Arabia.

Lawrence posed with both the curved dagger - called a jambiya - and the robes while sitting for the sculptor Lady Kathleen Scott, the widow of Scott of the Antarctic, in 1921. He left them behind after his final session so Scott could continue working and they have remained in her family ever since.

Culture Minister Ed Vaizey said: "T.E. Lawrence was one of the most extraordinary figures of the 20th Century. These robes and dagger are absolutely iconic and a key part of his enduring image. It is important that these classic objects remain in the UK."

The decision to defer the export licences follows a recommendation by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA), administered by Arts Council England.

The RCEWA made their recommendation on the grounds of both the robes and dagger’s close association with our history and national life.

RCEWA Chairman Sir Hayden Phillips said: "Although the depiction, in the film Lawrence of Arabia, of Lawrence leading a sweeping camel charge across the desert into Aqaba in 1917 is probably a romantic exaggeration - stunning though it is - the taking of Aqaba from the landward side, with the help of Auda Abu Tayi, leader of the northern Howeitat, was an extraordinary feat and marked a crucial turning point in the campaign."

"The dagger was presented to Lawrence by Sherif Nasir in gratitude for Lawrence’s leadership and as a spontaneous mark of respect. The robes and dagger together form a crucial part of the images of Lawrence in painting, sculpture and photographs; and they are therefore an integral part of his life and our history."

The decision on the export licence application for the robes will be deferred until 1 April 2016. This may be extended until 1 July 2016 if a serious intention to raise funds to purchase the robes is made at the recommended price of £12,500 (plus VAT of £500).










Today's News

February 5, 2016

Pivotal moments in women's chess highlighted in exhibit at the World Chess Hall of Fame

Britain's Royal Mail opens up secret underground railway for new museum in London

Smithsonian scientists discover butterfly-like fossil insect in the deep Mesozoic

Ashmolean Museum displays over one hundred unseen Warhols from the Hall Collection

150 years on, exhibit in Saint Petersburg probes the dark world of 'Crime and Punishment'

United Kingdom risks losing national treasures: Lawrence of Arabia's robes and dagger

North Carolina Museum of Art offers rare opportunity to watch conservator at work

Solo exhibition of work by Amy Sillman on view at Sikkema Jenkins & Co. in New York

Exhibition presents well-preserved example of Ludwig Mies van der Rohe's early functionalism

Ruth DeYoung Kohler assumes new role at John Michael Kohler Arts Center in Wisconsin

A $13 million gift to Columbia establishes professorship and Center for Japanese Art History

Stephenson's February 19 auction features furniture, Americana, other antiques

ICP announces recipients of 2016 Infinity Awards: David Bailey, Zanele Muholi, and Walid Raad

Cologne opens carnival on edge after sex attacks

Funk legend Maurice White of Earth, Wind & Fire dead at 74

French culture minister woos Hollywood studios

Artpace announces 2016 Spring International Artist-in-Residence

Works by Calder, Lichtenstein will headline Cottone's March 19th auction

Extensive multichannel audio and video installations unfold across three floors of the New Museum

Parrotta Contemporary Art opens exhibition of works by Pieter Laurens Mol

Exhibition at the Tibor de Nagy Gallery presents a range of works from the 1950s to the 1990s by Jess

Norman Rockwell Museum mourns the passing of artist/educator/museum trustee, Murray Tinkelman

"Autobiography" at Index offers different approaches to the complexities and politics of subjectivity




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful