BENTONVILLE, ARK.- Crystal Bridges Museum of American Art announces the opening of The Open Road: Photography and the American Road Trip, on view February 27 through May 30, 2016. The exhibition includes more than 100 images and features the work of 19 photographers on the move across America from the 1950s to today. Organized by Aperture Foundation, New York, The Open Road debuts at Crystal Bridges and represents the museum’s first large-scale photography exhibition.
“It’s an honor to be able to debut The Open Road to our visitors,” says Crystal Bridges Museum of American Art Executive Director Rod Bigelow. “Road trips are a way of life in our region, and capturing the experience by taking photos during those trips is a familiar activity for most of us. The opportunity to explore road-trip photography through significant works of art is one we know our visitors will appreciate and enjoy.”
The Open Road presents the story of the American road as inspiration, including iconic elements such as roadside motels, Mt. Rushmore, the Grand Canyon, Las Vegas, Route 66, the Pacific Coast Highway, and theme parks, as well as conveying everyday America. The images provide offbeat and personal reflections of the photographers’ journeys, completed between 1955 and 2014, including the people they encounter, car culture, roadside attractions, and more.
Photographers featured in the exhibition include Robert Frank, Ed Ruscha, Garry Winogrand, Inge Morath, William Eggleston, Lee Friedlander, Joel Meyerowitz, Jacob Holdt, Stephen Shore, Bernard Plossu, Victor Burgin, Joel Sternfeld, Alec Soth, Todd Hido, Shinya Fujiwara, Ryan McGinley, Justine Kurland, and Taiyo Onorato and Nico Krebs. Together, these photographers elevate the snapshot—often taken through the window of a moving car—to a work of art.
“Photography has impacted American visual culture and artistic practice since the invention of the camera,” says Crystal Bridges Director of Curatorial Affairs Margi Conrads. “The Open Road offers a great variety of photographic approaches to subject and technique, through the lenses of some of America’s most influential practitioners as well as international artists.”
Photographer Stephen Shore once declared that, “Our country is made for long trips.” Ever since cars became widely available, the road stretching over the horizon has represented a sense of possibility, freedom, discovery and escape—a place to get lost and find yourself in the process. The road trip remains an enduring symbol in American culture. It appears prominently in literature, music and movies, but it has had an especially powerful influence on photography. The Open Road explores the photographic road trip as a genre and America as a resource.
“Along with the images in the galleries, we have added ways for our visitors to discover the artistic process behind the work they see,” says Crystal Bridges Curatorial Assistant Ali Demorotski, who curated the exhibition’s installation at the museum. “We have included some of the different camera formats and films used by the photographers, as well as a cropping activity to explore the impact of including or excluding information from an image. Beyond photography, our visitors will also discover how the road has been an inspiration to authors, musicians, and filmmakers—weaving together a rich and diverse experience.”
