MUNICH.- The auction of 19th Century Art marked the successful start of the spring auction season at
Ketterer Kunst in Munich. The new concept, which puts the focus on art from the 19th and early 20th century, was well received. Accordingly, the overall result of around 1.45 million topped the figures of the last auction by more than 500,000.
The interest in this epoch is constantly increasing. A sales quota of 74% by lots, around 30% new clients and almost 40% that were active as first time buyers today deliver proof thereof. Eventually, each sold object realized a remarkable increase of 115%, says company owner Robert Ketterer.
The lucky winner of the race for the top lot, however, was no new client. Franz von Stuck's charming Frühling (Spring) (lot 92) was popular around the world. After it had been called up at 30,000 a long and heated bidding skirmish between bidders in the salesroom, numerous online bidders, around half a dozen written bids from Germany and Hong Kong, as well as almost a dozen phones with bidders from Austria, Great Britain, Russia and Switzerland began. It took a Bavarian collector an offer of 300,000, a ten-fold of the calling price, to stand his grounds against the tough competition and to carry the trophy home.
In general, works by the southern German artist were quite popular with the audience, all his works were sold with remarkable increases. For example, a southern German collector, who had lost the fight for lot 92, lifted Franz von Stuck's Sonnenuntergang (lot 96) from a calling price of 24,000 to a result of 92,500, while the work Porträt Frau von Stuck (lot 102, calling price: 16,000) was sold to Great Britain for a price of 57,500 against tough opposition from Germany, Italy and Switzerland.
A little earlier a student of Franz von Stuck had already realized a new world record price. With his oil painting Dame im Park (lot 100), Albert Weisgerber enthused half a dozen art lovers who had placed written bids, a number of online participants and the auction room, as well as nine phone bidders. The hot bidding fight was eventually halted by a collector from the south of Germany, his written bid, however, could have kept the battle going. He honored the enchanting work which shows the artist's wife on a stroll through a park with a result of 42,500 - a five-fold of the starting price.
The first highlight took place shortly after the auction's beginning when lot number 9, Jan Chelminki's oil painting Parforcejagd from 1876, was called up and well around a dozen fellow countrymen of the artist were on the phones. On top, bidders from Germany and the USA, a good number of written bids and many online bidders entered the competition. In the end a collector from North Rhine-Westphalia carried the trophy home for a result of 97,500 - a ten-fold of the calling price.
Fourth place in the top flight went to the Darmstadt artist Ludwig von Hofmann. Just as it was the case with the great success of a similar oil painting by the artist sold a couple of years ago, realizing more than the six-fold of the starting price, his work Tanzende in weiter Landschaft (lot 123), which enriched the range of offerings this time, was quite in demand with art lovers from Germany. Accordingly, it was no surprise that the colorful work in landscape format, entering the race at 45,000, was sold to a collector from the south of Germany in the saleroom. He was most tenacious and relegated the tough competition to places second and beyond with his offer of 60,000.
Another very successful lot was Caspar David Friedrich's small feather drawing Kirche von Lyngby (lot 60), for which two phone bidders from the north of Germany and Hesse competed. Called up at 28,000 they lifted the work from around 1795/1797 to a price of 47,500, providing a result of twice the starting price.
The four works from Alexander Koester, (lots 97,99,101,103) also made for good results, led by his painting Enten im Teich (Enten am Bach) which was sold for 30,000. While three paintings will remain in Germany, one will now go on a journey around the world, as it found a new home on the Australian east coast.
The results of the two works by Heinrich Bürkel also excelled expectations. Particularly his oil painting Am Dorfbrunenn in den italienischen Bergen soon soared sky-high when a collector from southern Germany got involved and won the work for a price of 27.500 after it had been called up at 12,000.