Alan Chong named Currier Museum of Art Director & CEO

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Alan Chong named Currier Museum of Art Director & CEO
Chong moved to Singapore in 2010 to become Director of the Asian Civilisations Museum and the Peranakan Museum.



MANCHESTER, NH.- The Currier Museum of Art’s Board of Trustees announced that Alan Chong has been unanimously approved as its new Director and CEO, starting September 8, 2016. Dr. Chong will be the ninth director in the Museum’s 87-year history, succeeding Susan Strickler, who retired June 30, 2016 after holding the position since 1996. He was chosen following an international search conducted with the assistance of Opportunity Resources, Inc., New York, and a committee composed of Board members and the Museum’s executive team. Chong, a widely admired museum professional and respected scholar, is well-known in the region, having held the position of Lia and William Poorvu Curator of the Collection at the Isabella Stewart Gardner Museum in Boston, Mass. from 1999 through 2010. Exhibitions curated by Chong while at the Gardner were also shown in major museums in the United States, Italy and the United Kingdom.

“Alan is an outstanding fit for the Currier,” said M. Christine Dwyer, president of the Currier Museum Board of Trustees and chair of the search committee. “He brings to the Museum significant expertise in curatorial matters, operations and fundraising. Equally important, Alan will add a spark of excitement to a Museum that, thanks to Susan Strickler’s leadership, has become a leading cultural institution in the region.”

“I am greatly honored to have been chosen as the next director of the Currier Museum, a true cultural centerpiece of Manchester and the region,” said Alan Chong. “It is an impressive Museum, for its collection, enthusiastic staff and board, and beautiful building. It also has the advantage of being compact and nimble, and can launch creative new initiatives that can bring art closer to its audiences.”

Chong moved to Singapore in 2010 to become Director of the Asian Civilisations Museum and the Peranakan Museum. In Singapore, he helped to re-conceptualize the collection to reflect the nation’s cross-cultural heritage, and constructed new wings for an expanded collection. He also strengthened school and educational programs, while developing a series of innovative exhibitions. With his significant fundraising and donor relations experience, Chong developed a strong group of donors and a powerful Board.

In addition, since April 2013, Chong has headed the Cultural Academy and Curatorial Forum of the National Heritage Board, Singapore. The National Heritage Board is a government agency that oversees the four national museums of Singapore.

As Curator of the Collection at the Isabella Stewart Gardner Museum, Chong developed new exhibition and scholarly programs conceived to address themes in the collection, and curated major exhibitions including Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle (2004) and Raphael, Cellini, and a Renaissance Banker (2003).

Chong has published and lectured extensively. He was the writer/editor of the Gardner’s collection catalogue, Furnishing a Museum: Isabella Stewart Gardner’s Collection of Italian Furniture (2011) and has published scholarly essays for notable international journals and exhibition catalogues.

Prior to the Gardner, Chong was curator of European art at the Art Gallery of Ontario, Toronto and associate curator of paintings at the Cleveland Museum of Art.

Raised in Hawaii, Chong earned a doctorate in art history from the New York University Institute of Fine Arts and holds a Bachelor of Arts in History of Art from Yale University. His areas of specialization include cross-cultural art, 17th-century Dutch art and patronage.










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