Sotheby's to offer two superb jewels of imperial Russian heritage
The First Art Newspaper on the Net    Established in 1996 Friday, April 25, 2025


Sotheby's to offer two superb jewels of imperial Russian heritage
A model poses with a parure coloured diamond necklace during a photocall in London on October 11, 2016, to promote Sotheby's forthcoming auction of Magnificent Jewels and Noble Jewels in Geneva on November 13. The necklace is thought to have formed part of the collection of Empress Catherine I of Russia, second wife of Peter the Great, and is expected to realise GBP 2.5-4 million (USD 3-5 million, Euro 2.7-4.5 million). Daniel Leal-Olivas / AFP.



GENEVA.- This autumn in Geneva, Sotheby’s auction rooms will be lit up by the grandeur and elegance of the Russian Imperial Court: our sale on 16 November will feature two exceptional jewels of extraordinary historical importance.

The first is a magnificent diamond necklace with a stunning and delicate bowknot clasp, thought to have been commissioned as two separate pieces by Empress Catherine II, known as Catherine the Great (1729 – 1796). It has survived centuries of upheaval and was preserved throughout the First World War in a strong room of the Kremlin. The jewel will be offered at auction with an estimate of $3- 5 million.

The second piece is one of the most important parures of antique coloured diamond jewels to appear at auction in the last 50 years. This superb suite contains stones which may have formed part of a gift by Empress Catherine I of Russia (1684-1727), wife of Peter the Great to Sultan Ahmed III to negotiate the end of the Siege of Pruth in 1711. By tradition, these extraordinarily rare jewels were then used by the Sultan Abdul Hamid II (1842 – 1918) for the present necklace, which he offered to the wife of Teufik of Egypt, possibly for the birth of the last Khedive of Egypt and Sudan in 1874. The parure will be offered in November with a pre-sale estimate of $3-5 million.

“These two stunning jewels carry with them a fascinating insight into the luxury and opulence of the Russian court. It is difficult to overstate their rarity and historical importance, and I am thrilled to be able to present them side by side this autumn.“ David Bennett, Worldwide Chairman of Sotheby’s International Jewellery Division.

OPULENCE AND CRAFTSMANSHIP: THE RUSSIAN CROWN JEWELS
Russia’s Diamond Treasure was founded in 1719 by Tsar Peter the Great (1629 – 1725), to distinguish the vast wealth of the Romanov dynasty. He is known to have commissioned numerous elaborate jewels as gifts for his wife, Empress Catherine I (1684 – 1727). Stored in the so-called Diamond Room of the Winter Palace in St Petersburg, this breathtaking collection of state jewels and regalia was added to by successive rulers, as instructed by Peter himself. The largest contribution was made by Catherine II, known as Catherine the Great (1729 – 1796), who ruled as Empress of All Russia from 1762 to 1796.

DIAMOND JEWELS “IN A CLASS OF THEIR OWN“
Thought to have been part of the Collection of Catherine the Great

The jewellery collection of Catherine the Great was renowned, and never equalled before or since in Russia. Her jewels and regalia proclaimed her power and rank as Empress and displayed the most precious materials available, crafted by the most highly skilled French jewellers such as Pauzié and Duval.

This piece was originally designed as two separate jewels, crafted around 1760-80. Stylistically, the two pieces are consistent with traditional designs of the late 18th century, which would have been fastened around the neck using a ribbon or stitched directly onto clothing.

At the outbreak of the First World War, the decision was made to move the imperial treasure from St Petersburg to Moscow, and the jewels were stored in sealed cases in the Kremlin. A number of jewels – including the present necklace band and bow knot brooch - were taken to London and offered at auction at a sale of “The Russian State Jewels” in 1927. They have only been in two private collections since then, including that of the present owner.

After the war, a commission was formed to itemize and value the jewellery collection of the Romanovs from the early 17th century onwards and a catalogue, entitled Russia’s Treasure of Diamonds and Precious Stones, was published, in Russian, English, French and German, under the supervision of Professor A.E. Fersman. This autumn’s sale will include one of the very rare surviving copies of this catalogue with an estimate of $38,000- 51,000 (The Bolshevik government recalled and destroyed most copies of this catalogue, hence its extreme rarity).

A SUPERB SUITE OF IMPERIAL JEWELS
Containing stones from a jewel which may have been used by Catherine I, wife of Peter the Great to end the Siege of Pruth in 1711

Dating from the mid-19th century, this diamond parure is comprised of a necklace, a brooch and a pair of earrings. It contains stones which may have formed part of a gift presented by Empress Catherine I to the Twenty-Third Ottoman Sultan, Ahmed III (1673-1736) as part of peace negotiations with Czar Peter the Great, after the Pruth River Battles in 1711.

According to an account by Voltaire in his History of the Russian Empire under Peter the Great (1759), following days of siege, Catherine urged her husband the Czar to pursue a peaceful outcome to the stalemate. Knowing the importance of the Oriental custom according to which one should never approach a sovereign or their representatives without gifts, Catherine gathered all the jewels she had brought with her, including family heirlooms and gifts from her husband. Secretly, she sent them alongside the Czar’s letter to the Grand Vizier. Sultan Ahmed II accepted the sumptuous gift and a peace treaty was agreed between Russia and the Ottoman Empire.

Following their crucial role in the history of these two empires, these imperial Russian jewels are believed to have then passed into the Ottoman Treasures. By tradition, they are said to have been used by the Sultan Abdül Hamid II (1842-1918) in the commissioning of the present parure, which he presented to the wife of the Khedive Teufik of Egypt, possibly on the occasion of the birth of their son and heir Abbas II Hilmi Paşa (1874-1944). Born HH Princess Emine-Nacibe Hanimefendi, the "Valid Sultan" or "Valide Pasha" became the most powerful woman of the region, seconding her son in the conduct of the State until 1914, when Egypt became an independent Sultanate under a British protectorate.










Today's News

October 17, 2016

Degas retrospective debuts in the U.S. at the Museum of Fine Arts, Houston

Christie's seeks more 'realistic' auction prices

Christie's announces a new flagship space in Beijing

Sotheby's to offer two superb jewels of imperial Russian heritage

Almine Rech Gallery opens an exhibition of historical artworks by Tom Wesselmann

Exhibition of new and recent work by Anna Maria Maiolino on view at Hauser & Wirth

Grand Palais exhibits works by Diego Rivera, Frida Kahlo, José Clemente Orozco and the avant-garde

Schirn Kunsthalle Frankfurt opens first-ever major survey exhibition of works by artist Ulay

From the Oval Office to the auction block: Rare presidential manuscript collection offered

Smithsonian American Art Museum releases "Renwick Gallery WONDER 360" virtual reality app

Largest and most comprehensive exhibition about Fiji opens in Norwich

Mythical Islamic steeds cast into sea in Indonesia festival

Putting on your own opera, in Vienna, aged 11

TENT and Museum Boijmans van Beuningen present The Back Room: Esma Yiğitoğlu

Group exhibition highlights modern and contemporary artists who utilize paper

Exhibition at Galerie Patrick Seguin features works on paper by 53 artists

RaebervonStenglin opens third solo exhibition with Susanne Kriemann

Fourteen Presidential signatures on a single page at Swann Galleries' Fall Autographs Auction

Solo show of paintings by Wei Dong on view at Klein Sun Gallery

Turner Auctions + Appraisals to offer the Anita & Sedwick Hellman collection of toys

Haus der Kunst displays institutional memory during the Postwar period

Record visitation at home and abroad for Australian Centre for the Moving Image

Museum of Romans Suta and Aleksandra Beļcova in Riga hosts book illustration exhibition

Los Angeles-based artist Brian Wills' first solo show in Paris on view at Praz-Delavallade




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful