LONDON.- Annely Juda Fine Art announces an exhibition by the British sculptor, Nigel Hall, RA. The show will consist of sculptures and drawings, including a new installation which furthers Halls explorations into the polarities of internal and external form.
Halls works, principally made of polished wood or steel, are concerned with three dimensional space, mass and line. His abstract and geometric sculptures give as much prominence to voids and shadows as to the solidity of material and each work changes with light and viewpoint, reflecting the landscapes that inspired them. Halls grandfather was a stone mason and witnessing him cutting into a piece of Bath stone, Hall observed that the process created three elements: a line, an edge and a shadow. This magical realisation set him on a lifetimes exploration of spatial and material ambiguity.
Halls most recent work in the exhibition is the installation, Here and Now, There and Then (2016). Here, the morphing of a series of elliptical and circular shapes cut through 160 sheets of plywood is recorded in four monumental, rectangular blocks. The empty spaces inside are made concrete in the cut-away sections, stacked in the centre of the group. The installation marks a new direction for the sculptor, using a computer to chart, for example, how a pair of circles are transformed into an ellipse in three dimensional form. The results are surprisingly organic, undulating forms whilst the central totem takes Halls interest in the void to a new level.
Eight new and recent drawings deliberately leave charcoal sketches bare beneath ellipses of colour whilst polished wooden wall sculptures and free-standing steel and bronze works build on Halls continued concern with the human relationship to form and scale, to the distances that surround and define us and to our gravitational sense of the vertical and the horizontal.
Nigel Hall was born in 1943 in Bristol and studied at The Royal College of Art, London, where he later became a tutor. After graduating he spent 2 years in the US on a Harkness fellowship. He was Head of MA Sculpture at Chelsea School of Art and a faculty member of the British School in Rome. He was elected Royal Academician in 2003.
A fully illustrated catalogue is available.