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Friday, May 3, 2024 |
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Taft Museum of Art presents two photography exhibitions |
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The 41 photographs in Picturing the West can be viewed as documentation, as art, and as promotion.
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CINCINNATI, OH.- As the population of American settlers on the Western frontier exploded during the second half of the 19th century, so did the development of photography. The public craved images of Americas untamed territory, and intrepid photographers showed them what the rugged land looked like. They captured natural wonders, such as sweeping canyons and plunging waterfalls, and manmade marvels like railways and mining structures as well.
The 41 photographs in Picturing the West can be viewed as documentation, as art, and as promotion. The photographers presented Americas natural splendor in a way that was accepted as scientific and factual, but they also constructed a vision of the West as a land ripe for development, exploitation, tourism and, in some cases, preservation. Several of the photographs record major features of Americas first national parks; the exhibition, in fact, commemorates the 100th anniversary of the National Park Service.
The photographs are large for that timemost are printed from the approximately 18-by-22-inch glass negatives called mammoth plates. All are by noteworthy photographers of the period, included Eadweard Muybridge, William Henry Jackson, and Carleton E. Watkins. Picturing the West provides a unique opportunity to compare different approaches to photographing the grandeur of the American landscape.
Forgotten Cincinnati: Photographs from the 1880s
In 2013, a private collector rediscovered a trove of large glass-plate negatives. These fragile documents by unidentified photographers constitute a time capsule of late-19th-century Cincinnati. Group portraits reveal the faces of former residents. Street scenes show life in a bustling city and record buildings that no longer exist. Construction views and industrial interiors portray Cincinnati as a developing modern metropolis. The exhibition features twelve recent photographic prints made from the original negatives, as well as examples of the negatives themselves. These astounding images conjure the Queen Citys vibrant past.
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