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Artistic process of Christo and Jeanne-Claude explored through installation at National Gallery of Art
Christo, on ladder, ties ropes across the fabric for Wrapped Museum of Contemporary Art, Chicago, 1968-69, 1969, gelatin silver print, Shunk-Kender Photography Collection, Department of Image Collections, National Gallery of Art Library, Gift of the Roy Lichtenstein Foundation in memory of Harry Shunk and JŠnos Kender. © Christo. Photograph: Shunk-Kender © J. Paul Getty Trust. All Rights Reserved.

WASHINGTON, DC.- From 1958 to 1973, Harry Shunk (German, 1924–2006) and JŠnos Kender (Hungarian, 1938–2009)—known collectively as Shunk-Kender, a partnership based initially in Paris and later in New York City—photographed the major European and American artists, studios, performances, and exhibitions of the era. A new installation from the National Gallery of Art Library presents selections from these photographs depicting artists Christo (b. 1935) and Jeanne-Claude (1935–2009), project staff, visitors, works of art, and related locations during the 1960s to early 1970s, including extensive documentation of two major site-specific installations, Wrapped Coast, One Million Square Feet, Little Bay, Sydney, Australia, 1968–69 (1968–1969) and Valley Curtain, Rifle, Colorado, 1970–72 (1970–1972). In the Library: Process and Participation in the Work of Christo and Jeanne-Claude is on view from February 6 to April 14, 2017, in the East Building Study Center.

Through documentary photographs created at the artists' behest, Shunk-Kender captured the groundbreaking work done by artists Christo and Jeanne-Claude in the 1960s and 1970s. Installation images depict the myriad details of preparation, construction, and final installation as well as the teams of workers that executed the landmark installations.

Shunk-Kender documented all phases of Wrapped Coast, One Million Square Feet, Little Bay, Sydney, Australia, 1968–69, Christo and Jeanne-Claude's monumental work of art created for the coast and cliffs of Little Bay near Sydney, Australia. The artists, working with project coordinator John Kaldor (Wrapped Coast was the first in a series by Kaldor Public Art Projects) and Major Ninian Melville (retired Army Corps of Engineers), assembled and directed a team of 15 professional rock climbers and 110 local art and architecture student workers, in addition to Australian artists and teachers. Over a period of a month, they wrapped about one and a half miles of coast and cliffs up to 85 feet high with one million square feet of light beige erosion-control fabric and 35 miles of rope. Three-quarters of the way through the project, a storm severely damaged sections of fabric on the wrapped coastline, which required them to be redraped. The artists and their team completed Wrapped Coast on October 28, 1969, and the work remained on view for 10 weeks.

As with Wrapped Coast, Shunk-Kender played an integral part in the Valley Curtain, Rifle, Colorado, 1970–72 project team, which included engineers, site supervisors, 35 construction workers, and 64 temporary staff (college students and itinerant art workers). Over a period of two years, they photographed the initial preparation and meetings associated with planning the project. After the construction of the first curtain was destroyed by winds on October 9, 1971, the final curtain was successfully unfurled on August 10, 1972. The completed project existed for only 28 hours before a gale required that it be dismantled.

Together, Harry Shunk and JŠnos Kender were employed by Christo to photograph his earlier works in Paris in the 1960s as well as the beginning of Christo and Jeanne-Claude's work in the United States wrapping public buildings. These monumental projects were installed for a limited time and the artists considered the Shunk-Kender photographs to be an integral part of the record. The documentary images were used in subsequent exhibition announcements and publications. A selection of these earlier works will also be on view.

Shunk-Kender Photography Collection
Harry Shunk and JŠnos Kender began working as a photographic team in 1958 and became highly sought-after in the artistic circles of Paris, particularly among artists associated with nouveau rťalisme, the movement founded by art critic Pierre Restany in 1960. As Shunk-Kender, they photographed the work, events, and exhibitions of Yves Klein, Arman, Jean Tinguely, Niki de Saint Phalle, Raymond Hains, and others. Valley Curtain was their last collaborative project as they ended their partnership in 1973. Shunk continued briefly to work with Christo and Jeanne-Claude, as well as documenting the work of other artists. He retained Shunk-Kender's negatives and photographs until his death in 2006.

Between 2008 and 2012, the Roy Lichtenstein Foundation acquired the Harry Shunk Archive, which included the photograph and negative collection of Shunk-Kender as well as Shunk's individual work. After organizing, digitizing, and cataloging the archive, the foundation donated the material in 2014 to a consortium of five institutions: the Getty Research Institute, Los Angeles; Centre Pompidou, Paris; Tate, London; Museum of Modern Art, New York; and National Gallery of Art, Washington.

The portion of the Shunk-Kender Photography Collection received by the department of image collections in the National Gallery of Art Library encompasses 2,460 photographs with related digital images, and documents exclusively the work of Christo and Jeanne-Claude, with whom the photographers worked closely throughout their partnership. Some images are credited to Harry Shunk alone, but the majority of the works in the collection are credited to Shunk-Kender. The collection includes materials relating to a range of projects, and is particularly rich in documentation of Wrapped Coast and Valley Curtain.

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