LONDON.- The National Portrait Gallery has been awarded funding of £9.4 million from The National Lottery towards a £35.5m transformation programme, which will be the Gallery’s biggest ever development and its most significant project since the opening of its Ondaatje Wing in 2000, it was announced today, Thursday 15 June 2017.

The National Lottery support will go towards the project Inspiring People: Transforming our National Portrait Gallery. For the first time in the Gallery’s history there will be a comprehensive re-display of the Collection across all the galleries combined with a significant refurbishment, creating twenty per cent more public and gallery spaces. The transformation will also see the Gallery’s most extensive programme of activities nationwide with plans to engage audiences onsite, locally, regionally and online.

As part of the project, the National Portrait Gallery will restore its East Wing – last used for galleries in the 1960s – to public use; will improve its main entrance and will create a new state-of-the-art Learning Centre with a number of studio spaces. As well as extending activities for schools, families, young people and students, a volunteering programme will be introduced.

A nationwide schools programme for teaching history, citizenship, literacy and art through portraiture will be underpinned by a large-scale training programme for teachers and through targeted university partnerships with PGCE tutors. With this development programme, the Gallery hopes to reach over 200,000 schools across the UK, and over 300,000 young people including those not in education, employment or training.

New partnerships with museums and organisations throughout the country, will build on the Gallery’s national presence. In Creative Connections the Gallery will work with museums in Coventry, Manchester, Southampton and Sheffield on a co-curated exhibition programme for young people which will result in a new artist commission and the display of up to 20 portraits from the Gallery’s Photographic Collection at each partner venue.

In The Photographic Portrait Now the Gallery will work with course leaders at universities and colleges in Plymouth, Farnham, South Wales, Westminster and Bournemouth to connect students to high profile photographers through master-classes.

Citizen UK will explore immigration from the West Indies, China and South Asia through films, sound archives, oral histories, walking tours and photo-galleries. The project will be partnered by archives, libraries and community centres in Lambeth, Kensington, Tower Hamlets, Soho, Southall and Ealing.

A National Skills Sharing Partnership involving staff at museums in Belfast, Nottingham, Plymouth and Sudbury followed by a further eight locations, will create a learning network involving exchanges, mentoring, seminars and internships at each location with a focus on identity and representation around the theme of 'What is a Portrait?'

The process of appointing an architect for the Gallery’s building development will begin in the autumn. The Gallery has already embarked on its fundraising with over £7m pledged towards the project. With the HLF’s support, which includes an initial development grant of £900,000, building work is scheduled to start on Inspiring People: Transforming our National Portrait Gallery in 2020. The Gallery aims to reach its target of £35.5m by March 2019 in order to complete the project by 2022.

Dr Nicholas Cullinan, Director of the National Portrait Gallery, London, says: ‘The National Portrait Gallery is the nation’s family album, from Katherine Parr to Martin Parr. Understanding our national identity is more relevant now than ever, so we have an urgent job to do. We are very grateful for the vital support of the Heritage Lottery Fund, which crucially represents, as we do, people nationwide. This major grant enables the biggest transformation the Gallery has ever undertaken. We are going to make ourselves an essential place for everyone to feel part of the culture they have been born into, chosen, or are seeking to understand, to become a truly national gallery for all.’